{"title":"The Contemporary Take: A Look with Martha Stewart","description":"\u003cp\u003eJOOPITER presents The Contemporary Take, a vibrant spring curation of contemporary art. The selection spans blue-chip and emerging artists, showcasing diverse perspectives and rare works across painting, sculpture, and mixed media. Featuring artists such as Lynette Yiadom-Boakye, Damien Hirst, Raymond Pettibon, Hank Willis Thomas, and more, the collection offers a fresh perspective for the season ahead. \u003ca href=\"https:\/\/www.joopiter.com\/auctions\/contemporary-take-1?auction-tab=highlights\"\u003e\u003cu\u003eGuest curator Martha Stewart\u003c\/u\u003e\u003c\/a\u003e highlights several of her personal favorites, adding a unique lens to this inaugural offering. \u003c\/p\u003e","products":[{"product_id":"danse","title":"Danse","description":"\u003cp\u003eANASTASIA BAY (B. 1988) \u003c\/p\u003e\u003cp\u003e\u003ci\u003eDanse\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003esigned, titled and dated 'Bay Anastasia 2020 Danse' (on the reverse)\u003c\/p\u003e\u003cp\u003eacrylic and pastel on canvas\u003c\/p\u003e\u003cp\u003e78 3\/4 x 63 1\/8 inches (200 x 160.3 cm)\u003c\/p\u003e\u003cp\u003ePainted in 2020.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE\u003c\/b\u003e:\u003c\/p\u003e\u003cp\u003eGalerie Derouillon, Paris\u003c\/p\u003e\u003cp\u003eAcquired from the above by the present owner, 2021 \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBorn in Paris, in 1988, Anastasia Bay is a Brussels-based painter whose dynamic, large-scale works blend classical mythology with contemporary figuration. Her figures are imbued with a sense of movement and tension, often depicting dancers and performers in expressive, contorted poses. Bay’s paintings are characterized by bold lines and vibrant colors, capturing the fluidity and drama of the human form in motion.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447129854201,"sku":"JP0425049","price":17000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425049_01.jpg?v=1784039000"},{"product_id":"stuffy-faucet","title":"Stuffy Faucet","description":"SUMMER WHEAT (B. 1977)","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447129886969,"sku":"JP0425029","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425029_01.jpg?v=1745850039"},{"product_id":"as-soft-as-she-is","title":"As soft as she is...","description":"\u003cp\u003eAMY SHERALD (B. 1973)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eAs soft as she is...\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003esigned and numbered in pencil (on the lower edge)\u003c\/p\u003e\u003cp\u003e70-color screenprint\u003c\/p\u003e\u003cp\u003eimage: 40 1\/4 x 32 inches (102.2 x 81.3 cm)\u003c\/p\u003e\u003cp\u003esheet: 45 1\/4 x 37 inches (114.9 x 94 cm)\u003c\/p\u003e\u003cp\u003eframed: 50 1\/2 x 42 1\/2 inches (128.3 x 108 cm)\u003c\/p\u003e\u003cp\u003eExecuted in 2023. This is from an edition of 35 plus 10 artist's proofs, 3 hors commerce, 3 printer's proofs, and 1 bon à tirer.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eHauser \u0026amp; Wirth, New York\u003c\/p\u003e\u003cp\u003eAcquired from the above by the present owner\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\"As soft as she is…. is a large and vibrant portrait by a wildly popular contemporary artist who uses vibrant colors, bold backgrounds and simple blocking to evoke a strong and telling portrait of her subject.\"\n-Martha Stewart\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThis stunning print is based on the oil painting by the same name, which is in the collection of the Tate, London and currently on view at the artist’s solo exhibition at the Whitney Museum of American Art, New York. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eSherald (B. 1973) presents Black subjects with their skin rendered in \u003ci\u003egrisaille\u003c\/i\u003e, or grey tones, which has a historical precedent in painting since at least the fourteenth century. Utilizing this art historical trope is a deliberate choice to divert focus away from the sitter’s race and towards their compelling interiority. The artist often uses models that she encounters by happenstance in her daily activities.  “When I choose my models,” the artist explains, “it’s something that only I can see in that person, in their face and their eyes, that’s so captivating about them.”\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eSherald is the first African American woman to receive a presidential portrait commission from the National Portrait Gallery in Washington, D.C. in 2018 when she depicted former First Lady Michelle Obama. Her work is in the collections of the Whitney Museum of American Art, New York; the Los Angeles County Museum of Art; Museum of Fine Arts Boston; Crystal Bridges Museum of American Art, Bentonville, Arkansas; Embassy of the United States, Dakar, Senegal; Smithsonian National Museum of African American History and Culture, Washington, D.C.; Smithsonian National Portrait Gallery, Washington, D.C., and Nasher Museum of Art, Durham, North Carolina.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447129919737,"sku":"JP0425005","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425005_01.jpg?v=1784039004"},{"product_id":"bouquet","title":"Bouquet","description":"\u003cp\u003eDANIELLE ORCHARD (B. 1985)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eBouquet\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003esigned and dated 'Danielle Orchard 2021' (on the reverse)\u003c\/p\u003e\u003cp\u003eoil on linen\u003c\/p\u003e\u003cp\u003e25 5\/8 x 19 7\/8 inches (65.1 x 50.5 cm)\u003c\/p\u003e\u003cp\u003ePainted in 2021.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eJack Hanley Gallery, New York\u003c\/p\u003e\u003cp\u003eAcquired from the above by the present owner \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBorn in Michigan City, Indiana in 1985, Danielle Orchard is a contemporary American painter known for her modernist-inspired depictions of everyday moments, often centered around the female experience. Drawing from movements like Cubism and Fauvism, Orchard captures scenes of quiet introspection, using fragmented forms and bold colors. In \u003ci\u003eBouquet, \u003c\/i\u003ea vase of flowers is tipped over on the table, bringing subtle tension to the familiar still life, juxtaposing beauty with a sense of vulnerability.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447129952505,"sku":"JP0425045","price":14000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425045_01.jpg?v=1784039002"},{"product_id":"ribonucleic-acid","title":"Ribonucleic Acid","description":"DAMIEN HIRST (B. 1965)","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447129985273,"sku":"JP0425044","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425044-01.jpg?v=1745850041"},{"product_id":"untitled-hermosa-beach","title":"Untitled (Hermosa Beach)","description":"\u003cp\u003eRAYMOND PETTIBON (B. 1957)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eUntitled (Hermosa Beach)\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003etitled 'Hermosa Beach' (upper right); signed and inscribed in pencil 'CTP Raymond Pettibon' (lower edge)\u003c\/p\u003e\u003cp\u003ehand coloring on color lithograph\u003c\/p\u003e\u003cp\u003esheet: 45 1\/4 x 67 1\/2 inches (114.9 x 171.5 cm)\u003c\/p\u003e\u003cp\u003eframed: 49 x 71 x 2 inches (124.5 x 180.3 x 5.1 cm)\u003c\/p\u003e\u003cp\u003eExecuted in 2019. This work is a color trial proof from an edition of 48.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003ePrinted by Maurice Sanchez, EJ O'Hara, and Roya Haroun of Derrière l'Etoile Studios, New York. \u003c\/p\u003e\u003cp\u003ePublished by Brooke Alexander Editions, New York.\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBrooke Alexander Gallery, New York\u003c\/p\u003e\u003cp\u003eAcquired from the above by the present owner\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e“Big-wave surfing is of epic proportions. It has to do with what you call the sublime.… It has to do with making artwork about nature at its most epic, its most ferocious.”\u003c\/p\u003e\u003cp\u003e—Raymond Pettibon\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eBorn in 1957 in Tucson, Arizona, Raymond Pettibon is widely recognized for his singular approach to drawing which merges image and text in a practice that spans literature, philosophy, politics, religion, and alternative youth culture. Pettibon’s early roots in the Southern California punk scene laid the groundwork for a career that would extend far beyond subcultural boundaries, engaging with the broader spectrum of American iconography and ideology. Pettibon’s work draws from sources as varied as comics, mass media and canonical literature and echoes the satirical traditions of artists such as William Hogarth and Honoré Daumier. His drawings operate as incisive social commentary, positioning him as a key figure in the evolution of drawing as both critique and storytelling in contemporary art.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eRaised in Hermosa Beach, California, Pettibon’s childhood revolved around surfing, comics and other elements of 60s and 70s Los Angeles culture. The West Coast surfer culture Pettibon grew up with has remained a consistent influence in his practice. The surfer imagery has appeared in his work since the 1980s: “I’m interested in those early, pre–surf craze days.… I like the purity, the ‘man alone at sea.’”\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eUntitled (Hermosa Beach) \u003c\/i\u003eis part of Raymond Pettibon’s long-running series of surfers and waves, a body of work he began in 1985 and continues to revisit. At first glance, the surfer appears to have reached a serene state within the immense, beautifully blue, curling wave. Yet for Pettibon, the rider represents an existential yearning as they carve a fleeting and elegant path through the chaotic wave. The wave looms above the figure with overwhelming force, indifferent to the rider on their red board, and reminds us of our fragility within the greater scheme of the world. As curator and art historian Ulrich Loock notes of these works: ‘The image of the surfer who is utterly alone when riding an overpowering wave, confronted by an immense wall of water, presents us with the primal scene of sublime experience. But surfing also implies the aggressive overcoming of the forces of nature … where the mind recognizes the body’s insignificance in the face of nature.’\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eIn the present work, as with much of Pettibon’s work, there is a contradictory narrative presented between high and low culture, between chaos and serenity, between irony and sincerity, that forces us to contemplate the madness in how we represent ourselves. The result is not just a meditation on surf culture, but a darkly humorous reflection on the human condition itself.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003ePettibon’s works have been exhibited internationally, including at the Whitney Museum of American Art, New York; The Renaissance Society at the University of Chicago; Philadelphia Museum of Art; The Drawing Center, New York; Museum of Contemporary Art, Los Angeles; Museum of Contemporary Art, San Diego; the Kumu Kunstimuuseum, Tallinn, Estonia; Kunstmuseum Luzern, Lucerne, Switzerland; Kestner Gesellschaft, Hannover; Kunsthalle Wien, Vienna; Centro de Arte Contemporáneo de Málaga, Spain.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447130018041,"sku":"JP0425013","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425013_01_a8872170-6db0-4888-bc00-adff339238f2.jpg?v=1784039004"},{"product_id":"composition-i","title":"Composition I","description":"\u003cp\u003eROY LICHTENSTEIN (1923-1997)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eComposition I\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003esigned, numbered and dated in pencil '9\/50 Roy Lichtenstein 96' (lower right margin)\u003c\/p\u003e\u003cp\u003escreenprint on Lanaquarelle Watercolor paper\u003c\/p\u003e\u003cp\u003eimage: 39 5\/8 x 30 1\/16 inches (100.6 x 76.4 cm)\u003c\/p\u003e\u003cp\u003esheet: 47 11\/16 x 34 11\/16 inches (121.1 x 88.1 cm)\u003c\/p\u003e\u003cp\u003eframed: 50 1\/4 x 37 1\/4 inches (127.6 x 94.6 cm)\u003c\/p\u003e\u003cp\u003eExecuted in 1996. This work is number 9 from an edition of 50 plus 10 artist's proofs, 1 RTP, 1 PPII, 2 GEL, 1C, 8 SP. Printed and published by Gemini G.E.L., Los Angeles with their blind stamp.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003ePrivate collection, California\u003c\/p\u003e\u003cp\u003ePhillips, New York, 24 April 2018, lot 70\u003c\/p\u003e\u003cp\u003eAcquired from the above sale by the present owner\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eLITERATURE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eM.L. Corlett, \u003ci\u003eA Catalogue Raisonné 1948-1997: The Prints of Roy Lichtenstein\u003c\/i\u003e, New York, 2002, p. 266, no. 297.\u003c\/p\u003e\u003cp\u003eGemini G.E.L. Catalogue Raisonné no. 1668.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\n \u003c\/p\u003e\u003cp\u003e\u003cb\u003e\"Having grown up with Roy, I was thrilled when the Whitney Museum asked me to cater his retrospective party at the museum on Madison Avenue. We riffed on all his techniques - gliding page music, paint splattered sneakers and bananas.\"\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e-Martha Stewart\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBorn in New York City in 1923, Roy Lichtenstein emerged as one of the key figures of American Pop Art, rising to prominence in the 1960s with his iconic paintings based on comic strips and commercial imagery. Famous for his use of the Benday dot technique, which mimics the mechanical printing methods of newspapers and magazines, Lichtenstein’s work challenged the boundaries between high art and mass culture. Printmaking remained central to his practice throughout his long career and allowed him to continually explore themes of repetition, style and artifice. His influential works, such as \u003ci\u003eIn the Car \u003c\/i\u003eand \u003ci\u003eWhaam!, \u003c\/i\u003esolidified his place in art history as a master of both irony and innovation.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eComposition I\u003c\/i\u003e is one of three screenprints in the series published by Gemini G.E.L. in Los Angeles. The work reflects Lichtenstein's lifelong passion for music, particularly jazz, and his own background as a musician playing the flute and saxophone. The print captures the spirit of musical improvisation through a dynamic interplay of forms and rhythms, translating into a vivid visual composition. Here, Lichtenstein’s exploration of structure and spontaneity mirrors the freedom inherent in jazz, with the staves looping around the page, broken up with swathes of color, stripes and dots. Despite the spontaneity, with one note even dancing off the left edge of the page, the work remains rooted in Lichtenstein’s precise, graphic style. A copy of \u003ci\u003eComposition I\u003c\/i\u003e is housed in the Tate Modern.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447130050809,"sku":"JP0425004","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425004_01.jpg?v=1784039004"},{"product_id":"up-at-dawn","title":"Up at Dawn","description":"DAMIEN HIRST (B. 1965)","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447130083577,"sku":"JP0425043","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425043_01.jpg?v=1745850043"},{"product_id":"distinguished-relation-at-ejogu-gardens-amara-palace","title":"Distinguished Relation at Ejogu Gardens (Amara Palace)","description":"TOYIN OJIH ODUTOLA (B. 1985)","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447130116345,"sku":"JP0425008","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425008_01.jpg?v=1745850045"},{"product_id":"untitled-5","title":"Untitled","description":"GEORGE CONDO (B. 1957)","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447130149113,"sku":"JP0425002","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425002_01.jpg?v=1745850045"},{"product_id":"bark-scraper","title":"Bark Scraper","description":"Property from an Important Private Collection","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447130181881,"sku":"JP0425050","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425050_01.jpg?v=1745850045"},{"product_id":"untitled-7","title":"Untitled","description":"\u003cp\u003eCHAKAIA BOOKER (B. 1953)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eUntitled\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003esigned and dated 'Chakaia Booker 07' (on the reverse)\u003c\/p\u003e\u003cp\u003erubber tires, screws, and wood\u003c\/p\u003e\u003cp\u003e35 x 34 x 16 1\/2 inches (88.9 x 86.4 x 41.9 cm)\u003c\/p\u003e\u003cp\u003eExecuted in 2007.\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAcquired from the artist by the present owner, 2018\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBorn in 1953 in New Jersey, Chakaia Booker is celebrated for her transformative use of recycled materials, particularly discarded rubber tires, to create monumental, abstract sculptures that challenge traditional notions of form. Booker’s intricate surfaces and bold compositions speak to themes of urban life, environmental consciousness, and African American identity. A recipient of the prestigious Guggenheim Fellowship in 2005, her career has been marked by major exhibitions worldwide, including the 2000 Whitney Biennial, and her work is represented in over 40 public collections. Through both her gallery presentations and large-scale public installations, Booker continues to redefine the boundaries of contemporary sculpture. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eUntitled,\u003c\/i\u003e Booker’s mastery of material transformation is on full display, as she weaves, layers and manipulates rubber tire parts into complex dynamic forms. The texture and density of the piece evoke a visceral sense of movement and strength, while the repurposed tires carry a symbolic weight, referencing cycles of consumption, labor and endurance. Like much of her work, \u003ci\u003eUntitled\u003c\/i\u003e operates on both a tactile and conceptual level, inviting viewers to consider the layered histories embedded within the very materials. Booker’s practice turns industrial refuse into objects of unexpected beauty and profound commentary, reinforcing her status as a vital and innovative voice in contemporary art.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447130214649,"sku":"JP0425031","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425031-01_5a388f0d-8790-4996-bdbe-3109752f3798.jpg?v=1784039007"},{"product_id":"the-lidless-eye","title":"The Lidless Eye","description":"\u003cp\u003eADRIAN GHENIE (B. 1977)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eThe Lidless Eye\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003esigned and dated 'Ghenie 2017' (on the reverse)\u003c\/p\u003e\u003cp\u003eprinted paper collage on printed paper\u003c\/p\u003e\u003cp\u003e9 7\/8 x 8 1\/2 inches (25.1 x 21.6 cm)\u003c\/p\u003e\u003cp\u003e\nframed: 11 3\/8 x 10 5\/16 inches (28.9 x 26.2 cm)\u003c\/p\u003e\u003cp\u003eExecuted in 2016-2017. This work is artist’s proof 11 from a series of 25 unique works, plus 12 artist’s proofs.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003ePublished by Parkett Publishers, Zürich and New York for Parkett 99.\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAcquired directly from the publisher by the present owner\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBorn in Baia Mare, Romania in 1977, Adrian Ghenie is widely regarded as one of the most influential painters of his generation, known for his emotionally charged explorations that fuse personal experience with political and art historical narratives. Blurring the boundaries between abstraction and figuration, Ghenie’s dynamic canvases grapple with the possibilities of painting itself. His work often merges grand historical themes with contemporary imagery, drawing from personal memories, history, iconic artworks, film stills, and media found online. Through this layered approach, Ghenie not only addresses specific subjects but also questions how history and identity are visually constructed and remembered. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eThe Lidless Eye, \u003c\/i\u003epart of a series of 25 unique works made for \u003ci\u003eParkett\u003c\/i\u003e, Ghenie takes inspiration from a self-portrait of Vincent van Gogh, reinterpreting the well-known image through his distinctive, tactile technique. Using collage-like methods and printed paper, Ghenie distorts and abstracts Van Gogh’s likeness, evoking a psychological intensity that speaks to both the torment and genius of the historic artist. By channeling Van Gogh’s enduring emotional resonance through his own contemporary lens, Ghenie continues his broader inquiry into the vulnerabilities of the human condition. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eGhenie's work is in the collection of Blenheim Palace, Woodstock, United Kingdom; Centre Georges Pompidou, Paris; Hammer Museum, University of California, Los Angeles; Long Museum, Shanghai; Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles; M HKA – Museum of Contemporary Art, Antwerp; San Francisco Museum of Modern Art; Stedelijk Museum voor Actuele Kunst, Ghent; and Ueshima Museum, Tokyo.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eParkett\u003c\/i\u003e offers a unique and comprehensive archive of contemporary art and artists from around the world. Its 101 volumes, published between 1984 and 2017, include direct collaborations with some of the most compelling artists of the time. Across the series, 270 artists’ portraits were presented, each accompanied by three to five texts written by renowned critics, authors and curators. In addition to these in-depth features, every collaborating artist created an editioned artwork specifically for \u003ci\u003eParkett\u003c\/i\u003e, taking diverse forms such as prints, sculptures, installations, media works, paintings, and drawings.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447130280185,"sku":"JP0425026","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425026_01_983c789b-1d5d-4912-9754-886fd1bddca9.jpg?v=1784039007"},{"product_id":"mirroring-idealism","title":"Mirroring Idealism","description":"\u003cp\u003eDERRICK ADAMS (B. 1970)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eMirroring Idealism\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eUV curable pigment on Mirror Dibond\u003c\/p\u003e\u003cp\u003e28 3\/16 x 53 1\/2 x 4 inches (71.6 x 135.9 x 10.2 cm)\u003c\/p\u003e\u003cp\u003eExecuted in 2021. This work is number 35 from an edition of 40, plus 12 artist's proofs. Accompanied by a signed and numbered certificate of authenticity.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eCo-published by Carolina Nitsch Contemporary Art and Elisabeth Wingate, New York.\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAcquired directly from the publisher by the present owner\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eMirroring Idealism captures a feeling in the moment while sitting in the barber or salon chair -- the deep thoughts we have sitting still while surrounded by so many cultural signifiers subconsciously influencing our perspective of self-worth and the values we hold as a society.\u003c\/p\u003e\u003cp\u003e-Derrick Adams\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eBorn in Baltimore, Maryland in 1970, Derrick Adams is a multidisciplinary artist whose work explores the intersection of identity and culture, specifically around contemporary Black life through painting, collage, sculpture, video, and performance. His practice examines how mass media and popular culture shape societal views. In his work \u003ci\u003eMirroring Idealism, \u003c\/i\u003eAdams presents a triptych wall relief of UV curable pigment on mirror Dibond to evoke the introspective moments experienced in a barber or salon chair.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447130509561,"sku":"JP0425014","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425014_01_44fe94f8-0942-4f7b-9b1f-122d7eac86df.jpg?v=1784039010"},{"product_id":"redeemed","title":"Redeemed","description":"\u003cp\u003ePHYLLIS STEPHENS (B. 1955)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eRedeemed\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003esigned 'Stephens' (lower right)\u003c\/p\u003e\u003cp\u003equilted printed fabric, polyester flowers, plastic, metal and rhinestones\u003c\/p\u003e\u003cp\u003e88 x 52 inches (223.5 x 132.1 cm)\u003c\/p\u003e\u003cp\u003eframed: 92 1\/2 x 56 1\/2 inches (235 x 143.5 cm)\u003c\/p\u003e\u003cp\u003eExecuted in 2021.\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAlmine Rech, New York\u003c\/p\u003e\u003cp\u003eAcquired from the above by the present owner, 2021\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBorn in 1955, Phyllis Stephens is a celebrated fifth-generation quilt maker, whose practice continues and evolves a rich tradition of African-American story quilting. Based in Atlanta, Georgia, Stephens has spent over three decades crafting intricate textile works that narrate personal, communal, and historical experiences. Her quilts have been featured in prestigious institutions such as The National Quilt Museum in Kentucky and the National Museum of Ghana, and have attracted an impressive roster of collectors including Oprah Winfrey, Beth Rudin DeWoody, Samuel L. and LaTanya Jackson, Denzel and Paulette Washington, and Aretha Franklin. In 2010, Stephens was honored by the Georgia House of Representatives for her print portfolio made in tribute to the Children of the Civil Rights Movement, \u003ci\u003eFor Crying Out Loud. \u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eRedeemed, \u003c\/i\u003eStephens presents a powerful and emotive image of a woman in luminous blue, poised at the center of the composition. The figure tilts slightly toward the viewer with her hands raised to frame her head. Her hair, adorned with found baubles and rhinestones, catches the light and adds a celebratory quality to the work. Set against a lush, almost dreamlike field, the figure seems to embody a state of spiritual well-being and renewal. The vibrant colors, meticulous stitching, and embellishments all work together to evoke a feeling of resilience and hope. For Stephens, “the long process [of quilt making] allows [her] time to travel to some of the sweetest places in [her] memories.” \u003ci\u003eRedeemed \u003c\/i\u003eis not just a portrait, but a tapestry of emotional and historical layers for Stephens that invites the viewer into a vibrant and lively space.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447130575097,"sku":"JP0425009","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425009_01.jpg?v=1784039011"},{"product_id":"abstraction","title":"Abstraction","description":"HANK WILLIS THOMAS (B. 1976)","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447130607865,"sku":"JP0425030","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425030_01.jpg?v=1745850049"},{"product_id":"untitled-8","title":"Untitled","description":"\u003cp\u003eANDRÉ BUTZER (B. 1973)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eUntitled\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003esigned twice and dated twice 'A. Butzer '21 A. Butzer '21' (on the reverse)\u003c\/p\u003e\u003cp\u003eoil on canvas\u003c\/p\u003e\u003cp\u003e54 x 64 inches (137.2 x 162.6 cm)\u003c\/p\u003e\u003cp\u003ePainted in 2021.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eGió Marconi, Milan\u003c\/p\u003e\u003cp\u003ePrivate collection, New York, 2021\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eLITERATURE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eGió Marconi, \u003ci\u003eAndré Butzer: January 18 – February 23, 2018 \/ June 10 – July 23, 2021, \u003c\/i\u003eexh. cat., Milan, 2021 (illustrated, p. 27).\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eThe work is registered for inclusion in the catalogue raisonné of André Butzer.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBorn in Stuttgart, Germany in 1973, André Butzer is a seminal figure in contemporary painting, known for fusing the emotional depth of German Expressionism with the vibrant imagery of mass culture. Bridging the 20th and 21st centuries, Butzer’s work confronts themes of life, death, consumption, and mass entertainment through a deeply personal and idiosyncratic lens. Drawing inspiration from artists like Paul Cézanne, Edvard Munch and Henri Matisse, as well as cultural figures such as Walt Disney and Henry Ford, he has developed a distinctive style he terms “Science-Fiction-Expressionism.” Over decades, Butzer has built an elaborate fictional universe populated by recurring characters recognizable by their comic-book eyes, bloated and misshapen heads, outsized hands, and stick-like legs.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eUntitled\u003c\/i\u003e, Butzer brings forward his longstanding pictorial universe that was shaped early on by his concept of \u003ci\u003eNasaheim\u003c\/i\u003e, an imagined realm comprising two very different aspects, one in the furthest reaches of outer space, and the other at home. \u003ci\u003eNasaheim\u003c\/i\u003e is an idealized space that integrates the extremes of the human experience like joy, terror and personal history, without exclusion, and serves as a philosophical foundation for Butzer’s art. In \u003ci\u003eUntitled\u003c\/i\u003e four figures emerge from a luminous pink backdrop, echoing the cast of characters Butzer first developed around 1999-2000. Among them are archetypes such as the \u003ci\u003eFriedens-Siemens \u003c\/i\u003eand the \u003ci\u003eWanderer, \u003c\/i\u003eoriginally termed the \u003ci\u003eMan of Shame\u003c\/i\u003e–a haunting figure rooted in Edvard Munch’s \u003ci\u003eScream\u003c\/i\u003e and dark historical imagery drawn from a popular album cover by the Melvins. The crude, exaggerated forms, with their wide eyes and simplified anatomy reflect an existential struggle, embodying both the survival instinct and the destructive capacities of humanity. In \u003ci\u003eUntitled, \u003c\/i\u003ethe vibrant palette and cartoon-like rendering belie a deep confrontation with human nature, creating a work that is both playful and charged with historical and emotional weight.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447130640633,"sku":"JP0425001","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425001_01_2b3e7092-96f6-4b55-bd83-3ca762f66573.jpg?v=1784039012"},{"product_id":"the-conversation","title":"The Conversation","description":"\u003cp\u003eSARAH MORRIS (B. 1967)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eThe Conversation\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003esigned, titled and dated 'THE CONVERSATION Sarah Morris 2020' (on the reverse)\u003c\/p\u003e\u003cp\u003ehousehold gloss paint on canvas\u003c\/p\u003e\u003cp\u003e66 3\/4 x 118 1\/8 inches (169.5 x 300 cm)\u003c\/p\u003e\u003cp\u003ePainted in 2020.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eKÖNIG GALERIE, Berlin\u003c\/p\u003e\u003cp\u003eAcquired from the above by the present owner\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eEXHIBITED:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBerlin, KÖNIG GALERIE, \u003ci\u003eSarah Morris \u0026amp; Alexander Kluge: Cats and Ghosts, \u003c\/i\u003eAugust-September, 2020 \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBorn in 1967 in Sevenoaks, United Kingdom, Sarah Morris is a British-American artist based in New York City, renowned for her multidisciplinary practice that spans painting and film. Educated at Brown University, Cambridge University, and the Whitney Museum of American Art Independent Study Program, Morris has developed a distinctive visual language characterized by geometric abstraction and vivid color palettes. Her work often interrogates the structures of urban environments, exploring the interplay between architecture and psychology. She frequently develops her work in distinct series that parallel her films, delving into the psychological landscapes of cities such as Midtown Manhattan, Las Vegas, Paris, and beyond.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eIn her 2020 collaboration with filmmaker Alexander Kluge, titled \u003ci\u003eCats and Ghosts \u003c\/i\u003eat KÖNIG GALERIE in Berlin, Morris presented \u003ci\u003eThe Conversation, \u003c\/i\u003ea work that exemplifies her engagement with multimedia and narrative. This piece served as a projection surface for three films Morris created, penned by Kluge, entitled “The Mermaid,” “Cats in Space,” and “Grief Work for Kittens.” The films and the artwork together created a dialogue between visual art and storytelling, blurring the boundaries between disciplines. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eMorris' work is included in the collections of the Centre Pompidou, Paris; Fondation Louis Vuitton, Paris; Government Art Collection, London; Guggenheim Abu Dhabi; Guggenheim Museum, New York; Istanbul Museum of Modern Art; Jumex Collection, Mexico City; Kunsthaus Zürich; LUMA Foundation, Zurich \u0026amp; Arles, France; Museo de Arte Contemporáneo Buenos Aires; Museum fur Moderne Kunst, Frankfurt; Museum of Contemporary Art, Los Angeles; Museum of Modern Art, New York; National Gallery of Art, Washington, D.C.; National Gallery of Victoria, Melbourne; Pérez Art Museum Miami; San Francisco Museum of Modern Art; Schaulager, Basel; Stedelijk Museum Amsterdam; Tate, London; and Victoria and Albert Museum, London, among others.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447130673401,"sku":"JP0425011","price":35000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425011_01_672a472d-fec3-4fa4-86cb-ac69cfbb2a5b.jpg?v=1784039012"},{"product_id":"white-night-sahara","title":"White Night Sahara","description":"\u003cp\u003eSUSUMU KAMIJO (B. 1975)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eWhite Night Sahara\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003esigned and dated 'Susumu Kamijo 2021' (on the reverse)\u003c\/p\u003e\u003cp\u003eflashe on canvas\u003c\/p\u003e\u003cp\u003e60 x 48 inches (152.4 x 121.9 cm)\u003c\/p\u003e\u003cp\u003ePainted in 2021.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003ePROVENANCE:\u003c\/p\u003e\u003cp\u003eHarper's, East Hampton\u003c\/p\u003e\u003cp\u003eAcquired from the above the present owner\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eEXHIBITED:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eEast Hampton, Harper's, \u003ci\u003eHow Was Your Summer?,\u003c\/i\u003e August-September 2021\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBorn in Nagano, Japan in 1975, Susumu Kamijo is known for his dynamic fusion of abstraction and figuration, and creative depictions of the natural world. In particular, Kamijo frequently presents stylized depictions of poodles, one example of which is \u003ci\u003eWhite Night Sahara. \u003c\/i\u003eHis work is a playful yet meditative exploration of form, color and pattern, inviting the viewer to reconsider the boundaries of representation through his unique and distinct style.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447130706169,"sku":"JP0425046","price":18000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425046_01.jpg?v=1784039012"},{"product_id":"the-bite-down","title":"The Bite Down","description":"\u003cp\u003eFRANCE-LISE MCGURN (B. 1983)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eThe Bite Down\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003einitialed, titled and dated 'The Bite Down FMCG 2019' (on the reverse); inscribed 'smoker. a real heat feeling city' (on the right turning edge); inscribed 'what? me? worry?' (on the left turning edge)\u003c\/p\u003e\u003cp\u003eoil and acrylic on canvas\u003c\/p\u003e\u003cp\u003e47 1\/4 x 47 1\/4 inches (120 x 120 cm)\u003c\/p\u003e\u003cp\u003ePainted in 2019.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eSimon Lee, New York\u003c\/p\u003e\u003cp\u003eAcquired from the above by the present owner, 2020\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eEXHIBITED:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eLondon, Simon Lee Gallery, \u003ci\u003ePercussia\u003c\/i\u003e, 2020\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBorn in Glasgow, in 1983, France-Lise McGurn is known for her dynamic, immersive installations that blend paintings, drawing and performance. Her work often features fluid, gestural depictions of figures, exploring themes of sexuality, intimacy and the subconscious. When exhibiting her work, McGurn often spontaneously extends her works beyond their canvases and onto the gallery walls, floors and ceilings, creating environments that allow the viewer to experience her art as a total sensory encounter. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eThe Bite Down\u003c\/i\u003e, part of McGurn’s \u003ci\u003ePercussia \u003c\/i\u003eexhibition at Simon Lee Gallery, the artist continues her exploration of corporeal figures and fluid movement, bringing her large-scale, energetic style to the forefront. The work features dynamic, exaggerated depictions of bodies in motion, rendered with McGurn’s characteristic hues and gestural linework. Like the rest of the exhibition, \u003ci\u003eThe Bite Down\u003c\/i\u003e captures the tension between freedom and constraint, with its underlying rhythm, the figure seemingly caught in an ecstatic, fleeting moment.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447130738937,"sku":"JP0425047","price":9000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425047-01_b8af13c3-53c4-486e-9031-f9911d8e8a9a.jpg?v=1784039014"},{"product_id":"untitled-girl-with-dolphin-and-monkey","title":"Untitled (Girl with Dolphin and Monkey)","description":"\u003cp\u003eJEFF KOONS (B. 1955)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eUntitled (Girl with Dolphin and Monkey)\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003esigned, numbered and dated in pencil 'Jeff Koons '08 3\/25' (on the reverse)\u003c\/p\u003e\u003cp\u003eChromogenic print in colors, on Fujicolor Crystal Archive paper\u003c\/p\u003e\u003cp\u003esheet: 27 1\/4 x 39 3\/4 inches (69.2 x 101 cm)\u003c\/p\u003e\u003cp\u003eExecuted in 2006. This work is number 3 from an edition of 35, plus 12 artist’s proofs.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003ePublished by Carolina Nitsch, New York for the Whitney Museum of American Art, New York 75th Anniversary Photography Portfolio.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAcquired directly from the publisher by the present owner\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBorn in York, Pennsylvania in 1955, Jeff Koons is renowned for his exploration of consumerism, kitsch and mass production, often blurring the lines between high art and commercial culture. His work features everyday manufactured objects, like inflatables, which he elevates to monumental scale and transforms into sculptures with high gloss surfaces in bright colors. Koons’ themes of desire, innocence and the artificial nature of life are central to his practice, challenging traditional notions of art. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eUntitled (Girl with Dolphin and Monkey), \u003c\/i\u003ecommissioned for the Whitney Museum’s 75th Anniversary Photography Portfolio, Koons juxtaposes a pinup girl straddling inflatable toys against a banal backdrop. The photograph references his ongoing use of inflatables as metaphors for life, engaging themes of childhood, consumerism and sexuality.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447130771705,"sku":"JP0425023","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425023_01.jpg?v=1784039015"},{"product_id":"monica-lying-on-blanket","title":"Monica Lying on Blanket","description":"\u003cp\u003eTOM WESSELMANN (1931-2004)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eMonica Lying on Blanket\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003esigned twice, titled, numbered and dated twice 'Wesselmann 88 WESSELMANN 1988 STEEL DRAWING EDITION \/ MONICA LYING ON BLANKET 2\/25' (on the reverse)\u003c\/p\u003e\u003cp\u003eenamel on laser-cut steel\u003c\/p\u003e\u003cp\u003e20 x 40 inches (50.8 x 101.6 cm)\u003c\/p\u003e\u003cp\u003eExecuted in 1988. This work is number 2 from an edition of 25 plus 6 artist's proofs.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eCo-published by Tom Wesselmann and Sidney Janis Gallery, New York.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003ePrivate collection\u003c\/p\u003e\u003cp\u003eSotheby's, New York, 19 April 2023, lot 212\u003c\/p\u003e\u003cp\u003eAcquired from the above sale by the present owner\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eLITERATURE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eRecorded in the digital catalogue raisonné published by the Wildenstein Plattner Institute under record number TW0NQ6.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBorn in Cincinnati, Ohio Tom Wesselman (1931-2004) was a leading figure in the Pop Art movement. He is renowned for his bold, stylized depictions of the female nude, often using industrial materials and techniques to elevate everyday imagery into fine art. His work frequently explores themes of sexuality, consumerism and the commodification of the human form, challenging traditional notions of beauty and representation.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eIn his \u003ci\u003eMonica\u003c\/i\u003e series, Wesselmann portrays his muse, Monica, in various intimate settings, capturing her in moments of repose and reflection. These works continue to combine elements of portraiture and still life, often featuring vibrant colors and simplified forms to emphasize the sensuality and presence of the subject. Through his series, Wesselman delves into the complexities of identity and the gaze, offering a contemporary take on the classical reclining nude.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447130804473,"sku":"JP0425006","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425006_01.jpg?v=1784039014"},{"product_id":"old-school","title":"Old School","description":"\u003cp\u003eTRACEY EMIN (B. 1963)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eOld School\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003esigned, titled and dated in pencil 'Old School Tracey Emin 2015' (lower margin)\u003c\/p\u003e\u003cp\u003emonotype on Somerset paper\u003c\/p\u003e\u003cp\u003esheet: 38 1\/4 x 26 3\/4 inches (97.2 x 67.9 cm)\u003c\/p\u003e\u003cp\u003eframed: 41 1\/8 x 29 1\/4 inches (104.5 x 74.3 cm)\u003c\/p\u003e\u003cp\u003eExecuted in 2015.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003ePublished by Carolina Nitsch Contemporary Art, New York.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAcquired directly from the publisher by the present owner\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBorn in London, in 1963, Tracey Emin is known for her provocative and deeply personal works that explore themes of love, loss, grief, and the complexities of human relationships overall. Her art, characterized by its intimate, confessional nature, often confronts personal experiences of trauma, sexuality, and relationships. Her work spans a wide range of mediums including neon, embroidery, drawing, and installation and is widely recognized for its raw emotional intensity and the use of autobiographical elements. A significant aspect of her practice is the exploration of themes like vulnerability, loss and the complexities of the human condition, as seen in works such as \u003ci\u003eMy Bed \u003c\/i\u003eand \u003ci\u003eThe Tent, \u003c\/i\u003ewhere she openly addresses her personal struggles and relationships.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447130837241,"sku":"JP0425022","price":18000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425022_01.jpg?v=1784039018"},{"product_id":"dance-figure-3","title":"Dance, Figure 3","description":"\u003cp\u003eJULIAN OPIE (B. 1958)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eDance, Figure 3\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003esigned 'Julian Opie' (on a label affixed to the reverse)\u003c\/p\u003e\u003cp\u003eacrylic lenticular mounted on acrylic\u003c\/p\u003e\u003cp\u003e66 7\/8 x 36 3\/8 x 1 5\/8 inches (170 x 92.5 x 4 cm)\u003c\/p\u003e\u003cp\u003eExecuted in 2023. This work is number 37 from an edition of 55 plus 5 artist's proofs.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003ePublished by Cristea Roberts Gallery, London.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eCristea Roberts Gallery, London\u003c\/p\u003e\u003cp\u003eAcquired from the above by the present owner\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBorn in London in 1958, Julian Opie is celebrated for his distinctive style, which reduces figures and landscapes to bold lines and flat areas of color. Closely aligned with the aesthetics of pop art, his work often investigates the human body and its perception across a range of media including painting, sculpture, installation, and video. In \u003ci\u003eDance, Figure 3, \u003c\/i\u003eOpie depicts the dynamic movement of a red dancing figure on a white lenticular panel, inviting viewers to animate the work through their own motion and blurring the boundary between stillness and animation, thus emphasizing his enduring fascination with movement and human form.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447130870009,"sku":"JP0425012","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425012_01.jpg?v=1784039017"},{"product_id":"diamond-red","title":"Diamond (Red)","description":"\u003cp\u003eJEFF KOONS (B. 1955)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eDiamond (Red)\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eincised with the artist's signature, title, number and date 'Jeff Koons Diamond (Red) 419\/599 '20' (on the side)\u003c\/p\u003e\u003cp\u003echrome paint on Limoges porcelain\u003c\/p\u003e\u003cp\u003e12 1\/2 x 15 1\/2 x 12 5\/8 inches (31.8 x 39.4 x 32.1 cm)\u003c\/p\u003e\u003cp\u003eExecuted in 2020. This work is number 419 from an edition of 599 plus 30 artist's proofs.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003ePublished and stamped by Bernardaud, Limoges, France.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAcquired directly from the publisher by the present owner\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eAccompanied by the original Styrofoam-lined presentation box with printed signature.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eJeff Koons, born in 1955, is one of the most influential, recognizable and controversial artists of the postwar era, known for redefining the boundaries between high art and mass culture. His work explores themes of consumerism, desire, childhood, and popular culture while drastically pushing the boundaries of the readymade and industrial fabrication. Koons has redefined the role of the artist and transformed how art interacts with industry, merging conceptual art with mass appeal and availability, making him a pivotal figure in the dialogue between art, commerce, and entertainment.\u003c\/p\u003e\u003cp\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eDiamond (Red)\u003c\/i\u003e, is a limited-edition porcelain sculpture, produced in collaboration with the historic Bernardaud ateliers in Limoges. Derived from his \u003ci\u003eCelebration\u003c\/i\u003e series, conceived in 1994 and consisting of 16 sculptures and 16 photorealistic paintings, \u003ci\u003eDiamond (Red) \u003c\/i\u003etransforms the original 7-foot work into a collectible format. For Koons, the diamond symbolizes not only romance but also biological creation, the preservation of life energy, and all of human history. For Koons, it is one of the truest symbols of human history, honoring the continuity of DNA and profound connectedness of all life.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eRendered in high-gloss porcelain, with a flawless mirror-like surface, \u003ci\u003eDiamond (Red)\u003c\/i\u003e reflects both its viewer and environment, continuing Koon's long-standing fascination with perception and transformation. The technique used to craft the diamond is particularly challenging for porcelain, but was made possible through Bernardaud's technical mastery.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eRead more about the original launch of Diamond (Red) \u003ca href=\"https:\/\/www.forbes.com\/sites\/tanyaklich\/2020\/12\/11\/jeff-koons-bernardaud-porcelain-diamond-21000-dollar-neiman-marcus-interview\/\"\u003ehere\u003c\/a\u003e.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447130902777,"sku":"JP0425003","price":10000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425003_01.jpg?v=1784039017"},{"product_id":"princess","title":"Princess","description":"\u003cp\u003eTSCHABALALA SELF (B. 1990)\u003c\/p\u003e\u003cp\u003e\u003ci\u003ePrincess\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003esigned, numbered and dated in black felt tip pen (on the reverse)\u003c\/p\u003e\u003cp\u003ehand-sewn cotton and tulle on cotton\u003c\/p\u003e\u003cp\u003etapestry: 50 3\/4 x 39 5\/8 inches (128.9 x 100.6 cm)\u003c\/p\u003e\u003cp\u003eframed: 52 1\/2 x 42 1\/4 (133.4 x 107.3 cm)\u003c\/p\u003e\u003cp\u003eExecuted in 2018. This work is number 29 from an edition of 30 plus 2 artist’s proofs.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eCommissioned for The Art of Empowerment, UN Women UK, London.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eUN Women UK, The Art of Empowerment, courtesy of the artist; Paddle8, London, November 2018\u003c\/p\u003e\u003cp\u003ePrivate collection, London\u003c\/p\u003e\u003cp\u003ePhillips, London, 12 December 2019, lot 2\u003c\/p\u003e\u003cp\u003ePrivate collection\u003c\/p\u003e\u003cp\u003ePhillips, London, 7 June 2023, lot 47\u003c\/p\u003e\u003cp\u003eAcquired from the above sale by the present owner\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBorn in Harlem, New York in 1990, Tschabalala Self is known for her vibrant and dynamic depictions of the female form. Her practice explores cultural attitudes towards race and gender through a distinctive combination of painting, printmaking and sewn fabric techniques. For the inaugural Art of Empowerment programme, UN Women UK commissioned Self to re-interpret her well-known 2017 artwork \u003ci\u003ePrincess\u003c\/i\u003e into a special limited edition. In the original artwork, Self explored the politicization and sexualization of black bodies, which she reimagines here with brightly colored quilted fabrics and decorative stitching techniques.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447130935545,"sku":"JP0425019","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425019_01.jpg?v=1784039020"},{"product_id":"couples","title":"Couples","description":"\u003cp\u003eLOUISE BOURGEOIS (1911-2010)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eCouples\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003enumbered in pencil '109\/150' (lower left); signed in pencil 'Louise Bourgeois' (lower right)\u003c\/p\u003e\u003cp\u003eseven color lithograph on Arches paper\u003c\/p\u003e\u003cp\u003esheet: 44 x 26 inches (112 x 66 cm)\u003c\/p\u003e\u003cp\u003eframed: 48 x 29 3\/4 inches (121.9 x 75.6 cm)\u003c\/p\u003e\u003cp\u003eExecuted in 2001. This work is number 109 from an edition of 150 plus 25 artist’s proofs, 25 hors d'commerce, 6 printer's proofs, 3 trail proofs, and 1 bon à tirer.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003ePrinted by SOLO Impression, New York, with the printer’s blind stamp. Published by Bermuda Editions, St. Georges, Bermuda.\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAcquired directly from the publisher by the present owner\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eLITERATURE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eRecorded in the digital catalogue raisonné published by the MoMA and Wye under record number 547.2.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\"While this is not the spider sculpture I covet, this is an exemplary work from one of the most collected and celebrated artists of all time.\"\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e-Martha Stewart\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\"I transform nasty work into good work. I transform hate into love. That's what makes me tick.\" -Louise Bourgeois\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eLouise Bourgeois (1911- 2010) emerged as a pioneering figure in postwar sculpture and installation art, whose deeply personal works have become landmarks of modern and contemporary practice. Across a career spanning more than seven decades, Bourgeois explored themes of memory, sexuality, family, and the unconscious through monumental sculptures, intimate drawings, and immersive installations. A true pioneer, Bourgeois redefined the terrain of feminist and confessional art. \u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447130968313,"sku":"JP0425018","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425018_01.jpg?v=1784039020"},{"product_id":"straw-hat-3","title":"Straw Hat 3","description":"\u003cp\u003eALEX KATZ (B. 1927)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eStraw Hat 3\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003esigned in pencil 'Alex Katz' (lower left); numbered in pencil '52\/100' (lower right)\u003c\/p\u003e\u003cp\u003earchival pigment inks on Innova Etching Cotton Rag, 315 gsm, the full sheet\u003c\/p\u003e\u003cp\u003e75 1\/2 x 42 inches (191.8 x 106.7 cm)\u003c\/p\u003e\u003cp\u003eExecuted in 2022. This work is number 52 from an edition of 100 plus 20 artist's proofs.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003ePublished by Lococo Fine Art Publisher, St. Louis.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAcquired directly from the publisher by the present owner\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\"I sat for Alex Katz long ago when he painted a large facial portrait of me. It was typical of his simple, planar, partially textured work. This portrait is a bit more complex and colorful, very representative of his style and technique.\"\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e-Martha Stewart\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e“I always try to paint in the present tense. If you paint stories, you're painting in the past tense.” -Alex Katz\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eAlex Katz, born in Brooklyn in 1927, stands as a defining figure in postwar American art, known for his unmistakable blend of stylized realism and minimalist flair. Working against the grain of Abstract Expressionism in the 1950s, Katz developed a bold, flat aesthetic that came to anticipate and outlive the Pop Art movement. With a focus on clarity, light, and the immediacy of the present moment, his portraits strip away extraneous detail to heighten our awareness of the essential. Over a career spanning more than seven decades, Katz has achieved international acclaim and institutional recognition, with works held in over 100 public collections globally and major retrospectives, including a landmark 2022 exhibition at the Guggenheim, New York.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eStraw Hat 3\u003c\/i\u003e, Katz returns to one of his most enduring themes of the serene, cinematic portrait. Rendered in his characteristic style of sharply defined planes and reduced forms, the woman’s closed eyes and gentle smile evoke a sense of timeless stillness. The patterned brim of her hat arcs confidently across the composition, its rhythm echoed in the energetic yet controlled background of leafy greens and vivid yellow. Katz’s pared-down approach transforms a fleeting moment into something iconographic and elevates an everyday gesture into an emblem of contemporary grace. With its use of line and luminous palette, \u003ci\u003eStraw Hat 3\u003c\/i\u003e encapsulates Katz’s unique ability to distill life’s quiet dramas into powerful visual statements.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447131001081,"sku":"JP0425041","price":14000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425041_01_b855eb2d-599c-438c-9fae-c3ee7d3f8b5e.jpg?v=1784039020"},{"product_id":"not-a-vowel-75-f","title":"Not a Vowel #75 (F)","description":"\u003cp\u003eEDWARD RUSCHA (B. 1937)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eNot a Vowel #75 (F)\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003esigned, titled and dated twice ‘#75 Aug. 21, 1996 Ed Ruscha 1996’ (on the cover page)\u003c\/p\u003e\u003cp\u003eacrylic on paperback book\u003c\/p\u003e\u003cp\u003e4 1\/2 x 4 x 1 inches (11.4 x 10.2 x 2.5 cm)\u003c\/p\u003e\u003cp\u003eExecuted in 1996.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eGagosian Gallery, Los Angeles\u003c\/p\u003e\u003cp\u003ePrivate collection, acquired from the above in 1996\u003c\/p\u003e\u003cp\u003eSotheby’s, New York, 28 September 2018, lot 467\u003c\/p\u003e\u003cp\u003eAcquired from the above sale by the present owner\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBorn in Omaha, Nebraska in 1937, Ed Ruscha is a seminal figure in American art, renowned for his innovative use of text and imagery that encapsulates the visual culture of the American West. In \u003ci\u003eNot A Vowel #75 (F)\u003c\/i\u003e, Ruscha continues his exploration of language and typography inspired by contemporary advertising by isolating the consonant “F” on the cover of \u003ci\u003eWildflowers of America. \u003c\/i\u003eThe large orange letter on the small paperback book, transforms the commonplace object into a contemplative artwork. This piece exemplified Ruscha’s enduring interest in the interplay between word and image, challenging viewers to reconsider the ordinary through a conceptual lens.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447131033849,"sku":"JP0425032","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425032_01_871fd071-8036-435f-bbe4-4074cd4b194f.jpg?v=1784039024"},{"product_id":"vine-melrose","title":"Vine \/ Melrose","description":"\u003cp\u003eEDWARD RUSCHA (B. 1937)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eVine \/ Melrose\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003enumbered in pencil 'XXIV\/XXV' (lower left); signed and dated in pencil 'Ed Ruscha 1999' (lower right); inscribed in pencil 'EDITION FOR PARKETT NO. 55' (on the reverse)\u003c\/p\u003e\u003cp\u003etwo-color Lithograph on Rives paper\u003c\/p\u003e\u003cp\u003e22 1\/4 x 30 1\/8 inches (56.5 x 76.5 cm)\u003c\/p\u003e\u003cp\u003eExecuted in 1999. This work is artist's proof 24 from an edition of 60 plus 25 artist’s proofs.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003ePrinted by Hamilton Press, Venice, California. Published by Parkett Publishers, Zürich and New York for Parkett 55.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAcquired directly from the publisher by the present owner\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eEd Ruscha, a pivotal figure in American conceptual art, is renowned for his exploration of language and the urban landscape, particularly the vernacular of Los Angeles. In \u003ci\u003eVine \/ Melrose\u003c\/i\u003e, created for \u003ci\u003eParkett \u003c\/i\u003eNo. 55, Ruscha presents a two color lithograph that focuses on the cross-roads of two iconic L.A. streets, inviting viewers to reconsider the familiar through a new hyper simplified lens. Ruscha’s broader practice spans paintings, photography and printmaking, frequently juxtaposing words and images inspired by the shifting spirit of contemporary American culture and advertising.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eParkett\u003c\/i\u003e offers a unique and comprehensive archive of contemporary art and artists from around the world. Its 101 volumes, published between 1984 and 2017, include direct collaborations with some of the most compelling artists of the time. Across the series, 270 artists’ portraits were presented, each accompanied by three to five texts written by renowned critics, authors and curators. In addition to these in-depth features, every collaborating artist created an editioned artwork specifically for \u003ci\u003eParkett\u003c\/i\u003e, taking diverse forms such as prints, sculptures, installations, media works, paintings and drawings.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447131066617,"sku":"JP0425027","price":10000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425027_01.jpg?v=1784039023"},{"product_id":"untitled-check-painting","title":"Untitled (Check Painting)","description":"\u003cp\u003eRICHARD PRINCE (B. 1949)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eUntitled (Check Painting)\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eacrylic, printed paper, duct tape and staples on canvas\u003c\/p\u003e\u003cp\u003e24 x 20 inches (61 x 50.8 cm)\u003c\/p\u003e\u003cp\u003eExecuted in 2013.\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAcquired from the artist by the present owner, 2017\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBorn in the Panama Canal Zone in 1949, Richard Prince is a pioneering artist best known for his appropriation techniques that challenge ideas of authorship and originality in contemporary art. His work remains highly influential for its sharp commentary on pop culture, consumerism, and identity. In \u003ci\u003eUntitled (Check Painting), \u003c\/i\u003ePrince continues this exploration by incorporating imagery of personal and financial exchange. The piece features two printed paper \"checks,\" one belonging to Prince himself and the other issued by Peter and Stephanie Brant to the Yankee Foundation. Layered over and beside the checks the names Howard Johnson and Fulton Ryder are stamped in black ink, the latter a reference both to Prince’s alter ego pseudonym and his allusive bookstore-gallery that he ran until its closure in 2014. \u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447131099385,"sku":"JP0425033","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425033_01.jpg?v=1784039023"},{"product_id":"how-to-cure-a-diamond-or-goodbye-blue-monday","title":"How to Cure a Diamond, or Goodbye Blue Monday","description":"\u003cp\u003eKENNY RIVERO (B. 1981)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eHow to Cure a Diamond, or Goodbye Blue Monday\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eflashe and gouache on paper\u003c\/p\u003e\u003cp\u003e15 1\/2 x 23 1\/2 inches (39.4 x 59.7 cm)\u003c\/p\u003e\u003cp\u003eframed: 25 x 33 inches (63.5 x 83.8 cm)\u003c\/p\u003e\u003cp\u003ePainted in 2019.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eCharles Moffett, New York\u003c\/p\u003e\u003cp\u003eUTA Artist Space, Beverly Hills\u003c\/p\u003e\u003cp\u003eAcquired from the above by the present owner, 2020\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eEXHIBITED:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eUTA Artist Space, \u003ci\u003eIn the Time of: Curated by Amanda Hunt,\u003c\/i\u003e June-July 2020 (virtual exhibition)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBorn in New York in 1981, Kenny Rivero works in richly layered paintings, collages, drawings, and sculptures that explore the fragmented nature of his Dominican American identity, reimagining personal and collective histories through symbolism, language and narrative imagery. Influenced by rhythms of salsa, hip-hop, house music and spiritual traditions like Vodun and Santería, Rivero’s work deconstructs inherited constructs of race, gender and belonging to build new, fluid realities.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447131132153,"sku":"JP0425034","price":6000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425034-01.jpg?v=1784039026"},{"product_id":"time-pool-x","title":"Time Pool X","description":"\u003cp\u003eYANYAN HUANG (B. 1988)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eTime Pool X\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003egouache, acrylic and ink on canvas\u003c\/p\u003e\u003cp\u003e72 x 60 inches (182.9 x 152.4 cm)\u003c\/p\u003e\u003cp\u003ePainted in 2016.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eIbid Gallery, Los Angeles\u003c\/p\u003e\u003cp\u003eAcquired from the above by the present owner, 2017\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eYanyan Huang’s paintings weave together influences from ancient mythologies, classical traditions and personal memory into hypnotic, labyrinthine compositions that feel at once emotive and ceremonial. Her gestural mark-making, reminiscent of calligraphy and baroque ornamentation, conjures inner landscapes through airy washes of color and swirling arabesque forms. \u003ci\u003eTime Pool X\u003c\/i\u003e reflects the ethereal quality characteristic of her work, evoking the shifting textures and ephemeral beauty of the natural world.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447131197689,"sku":"JP0425038","price":5000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425038-01.jpg?v=1784039026"},{"product_id":"rhapsody-reflections","title":"Rhapsody: Reflections","description":"\u003cp\u003eDAVOOD ROOSTAEI (1959-2023)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eRhapsody: Reflections\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003esigned and dated 'R. DAVOOD 2022' (lower left); titled and dated again 'Rhapsody: Reflections in 2022' (on the reverse)\u003c\/p\u003e\u003cp\u003eacrylic on canvas\u003c\/p\u003e\u003cp\u003e40 x 30 inches (101.6 x 76.2 cm)\u003c\/p\u003e\u003cp\u003eframed: 41 x 31 inches (104.1 x 78.7 cm)\u003c\/p\u003e\u003cp\u003ePainted in 2022.\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAcquired directly from the artist by the present owner\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e“As ‘reality’ couldn’t speak to the complexities of the modern world, the brush couldn’t do what I needed it to do”\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e-Davood Roostaei\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eDavood Roostaei (1959-2023) was born in Malayer, Iran and studied at Tehran’s Academy of Fine Arts in the late 1970s until the Islamic Revolution upended Iranian creative life. Opposed to the new order and, as a pacifist, to its war with Iraq, Roostaei turned to the overtly political art form of graffiti – and was imprisoned for two years under notoriously harsh conditions for anti-regime activities. After his release, he realized that he needed to find a new way to express himself, which led him to create a style he dubbed Cryptorealism, which blended reality and imagination to create a surreal, dreamlike world.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eRoostaei’s technique involved using his fingers rather than a brush to create a more direct connection to his art. His work reflected the fragmentation of the world, with images referencing the past, present, and future. He remained political to his last days, donating a portion of the proceeds from his art to various causes internationally. As an innovative and visionary artist, his works were exhibited in international art fairs and museums across Europe, China, and America.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eRhapsody: Reflections\u003c\/i\u003e, 2022, Roostaei draws the viewer in to reflect along with him on the nature of female solidarity; the appreciation women can have for one another; as well as the ways in which women seem to have a deep and fulsome connection to nature.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447131230457,"sku":"JP0425042","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425042_01_1706fb36-ecf9-4ffb-8264-50bea433ee2a.jpg?v=1784039025"},{"product_id":"boundary","title":"Boundary","description":"\u003cp\u003eLIANG FU (B. 1993)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eBoundary\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003esigned and dated 'Liang Fu 2021' (on the reverse)\u003c\/p\u003e\u003cp\u003ewatercolor and oil on canvas\u003c\/p\u003e\u003cp\u003e63 x 44 inches (160 x 112 cm)\u003c\/p\u003e\u003cp\u003ePainted in 2021.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eNicodim Gallery, Los Angeles\u003c\/p\u003e\u003cp\u003eAcquired from the above by the present owner, 2022\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBorn in Sichuan, China in 1993 Liang Fu explores the intersection of corporeal forms, shifting landscapes and temporal memory, drawing upon an inclination towards historical aesthetics inherited from his family’s legacy in antique connoisseurship. Working between Paris with exhibitions internationally, Fu constructs layered, evocative worlds that bridge the ancient and contemporary through a unique visual language.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447131295993,"sku":"JP0425037","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425037-01.jpg?v=1784039028"},{"product_id":"untitled-9","title":"Untitled","description":"\u003cp\u003eSEDRICK CHISOM (B. 1989)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eUntitled\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003esigned in pencil (on the reverse)\u003c\/p\u003e\u003cp\u003e9 1\/4 x 8 1\/4 inches (23.5 x 21 cm)\u003c\/p\u003e\u003cp\u003eframed: 13 x 13 inches (33 x 33 cm)\u003c\/p\u003e\u003cp\u003eacrylic on Arches watercolor paper\u003c\/p\u003e\u003cp\u003ePainted in 2018-2019.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eArtsy, Food Bank for New York City: Emergency Benefit Auction 2020, 24 April-8 May 2020, lot 17\u003c\/p\u003e\u003cp\u003eAcquired from the above sale by the present owner\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBorn in Philadelphia, in 1989, Sedrick Chisom constructs apocalyptic fantasies that confront and dismantle racial origin myths, becoming the mythmaker that reclaims narrative power to envision pro-Black worlds, and reimagine the structures of natural and social order to create new possibilities.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eHis work is included in the collections of the Studio Museum in Harlem, New York; Aïshti Foundation, Beirut, Lebanon; Stedelijk Museum, Amsterdam, Netherlands; The Hessel Collection, Bard College, Annandale-on-Hudson, New York; and Yuz Museum, Shanghai, China.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447131328761,"sku":"JP0425035","price":2600.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425035-1.jpg?v=1784039027"},{"product_id":"certainly-sex","title":"Certainly Sex","description":"\u003cp\u003eJENNY HOLZER (B. 1950)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eCertainly Sex\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003estamped with artist’s initials and number 'JH 2249.10\/15' (lower edge of frame)\u003c\/p\u003e\u003cp\u003eetched glass mirror in artist's metal frame\u003c\/p\u003e\u003cp\u003e36 1\/4 x 24 1\/2 inches (92.1 x 62.2 cm)\u003c\/p\u003e\u003cp\u003eExecuted in 2018. This work is number 10 from an edition of 15 plus 5 artist’s proofs.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eText from Philip Johnson: Architect in His Own Words by Hilary Lewis and John O'Connor ©1994. Used with permission. © 2018 Jenny Holzer.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003ePublished by The Glass House, Connecticut.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAcquired directly from the publisher by the present owner\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBorn in Ohio in 1950, Jenny Holzer is a leading figure of the 20th-century conceptual art movement, known for her provocative use of language in public and architectural space. In \u003ci\u003eCertainly Sex,\u003c\/i\u003e Holzer’s sharp, declarative text from architect and art patron Philip Johnson carved into a mirror continues her exploration of power, vulnerability and human desire. The work reflects the influence of her early “Truisms” series, using concise, charged statements to confront viewers with uncomfortable truths. Holzer’s texts have been famously projected onto iconic structures, this work having been produced for Philip Johnson’s Glass House, where the transparency and fragility of the building amplify her messages about exposure and intimacy. \u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447131361529,"sku":"JP0425017","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425017_01_28776f48-dea8-492b-9f27-12d53d50586c.jpg?v=1784039027"},{"product_id":"sigh-sigh-sherlock","title":"Sigh, Sigh, Sherlock!","description":"\u003cp\u003eURS FISCHER (B. 1973)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eSigh, Sigh, Sherlock!\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003esigned, titled, numbered and dated 'Sigh, Sigh, Sherlock! 2004 Edition for Parkett 72 Ed. 42\/45 Urs Fischer' (on a label on the bottom)\u003c\/p\u003e\u003cp\u003eplaster, fiberglass, brass and acrylic\u003c\/p\u003e\u003cp\u003e36 1\/2 x 12 5\/8 x 12 5\/8 inches (92.1 x 32.1 x 32.1 cm)\u003c\/p\u003e\u003cp\u003eExecuted in 2004. This work is number 45 from an edition of 45 plus 25 artist's proofs.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eCast by Kunstgiesserei Felix Lehner, St. Gall, Switzerland for Parkett 72.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAcquired directly from the publisher by the present owner\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eUrs Fisher is known for his playful, subversive approach to sculpture and installation, often using unexpected materials to challenge traditional ideas of permanence and form. His work seeks to bemuse his audience, using witty humor and surreal takes on everyday objects or scenes. For \u003ci\u003eSigh, Sigh, Sherlock!\u003c\/i\u003e for \u003ci\u003eParkett\u003c\/i\u003e, he reimagines the classic rabbit-from-a-hat trick with a floating hand, playing with perception and presentation.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eParkett\u003c\/i\u003e offers a unique and comprehensive archive of contemporary art and artists from around the world. Its 101 volumes, published between 1984 and 2017, include direct collaborations with some of the most compelling artists of the time. Across the series, 270 artists’ portraits were presented, each accompanied by three to five texts written by renowned critics, authors and curators. In addition to these in-depth features, every collaborating artist created an editioned artwork specifically for \u003ci\u003eParkett\u003c\/i\u003e, taking diverse forms such as prints, sculptures, installations, media works, paintings and drawings.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447131394297,"sku":"JP0425025","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425025_01.jpg?v=1784039030"},{"product_id":"photo-for-parkett","title":"Photo For Parkett","description":"\u003cp\u003eANDY WARHOL (1928-1987)\u003c\/p\u003e\u003cp\u003e\u003ci\u003ePhoto For Parkett\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003esigned and numbered '110\/120 Andy Warhol' (on the reverse)\u003c\/p\u003e\u003cp\u003e4 photographic prints machine-sewn\u003c\/p\u003e\u003cp\u003eoverall: 9 3\/4 x 7 3\/4 inches (24.8 x 19.7 cm)\u003c\/p\u003e\u003cp\u003eExecuted in 1987. This work is number 110 from an edition of 120. This work is accompanied by a special edition of Parkett, where the piece originally appeared.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003ePublished by Parkett Publishers, Zürich and New York for Parkett 12.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAcquired directly from the publisher by the present owner\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e“Andy was what sports fans call a most valuable player. His work is more valuable now, but not because of some laws of marketing, but because he’s not around himself. Those works are souvenirs and relics. They’re pieces of Andy.”\u003c\/p\u003e\u003cp\u003e-Glenn O’Brien, Parkett No. 12, 1987\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eAndy Warhol (1928 - 1987) emerged as a pioneering figure at the forefront of the 1960s Pop Art movement. His vivid silkscreens of Campbell’s Soup Cans, Marilyn Monroe, and other commercial icons blurred the lines between fine art, mass production and advertising. Working across film, photography, painting and printmaking, Warhol upended traditional notions of authorship and elevated the artist to celebrity status. His Factory studio became an incubator for artistic innovation, and his incisive critique of consumerism and fame continues to shape contemporary art and popular culture today. These photographs were some of the last Warhol took before passing away in February, 1987.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eParkett\u003c\/i\u003e offers a unique and comprehensive archive of contemporary art and artists from around the world. Its 101 volumes, published between 1984 and 2017, include direct collaborations with some of the most compelling artists of the time. Across the series, 270 artists’ portraits were presented, each accompanied by three to five texts written by renowned critics, authors and curators. In addition to these in-depth features, every collaborating artist created an editioned artwork specifically for \u003ci\u003eParkett\u003c\/i\u003e, taking diverse forms such as prints, sculptures, installations, media works, paintings and drawings.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447131427065,"sku":"JP0425028","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425028_01_19469a37-5aab-441f-916c-59dd8d39e709.jpg?v=1784039030"},{"product_id":"swatter","title":"Swatter","description":"\u003cp\u003eAI WEIWEI (B. 1957)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eSwatter\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003estamped with the artist's initials 'AI' (on the bottom of the handle), stamped with the inscription and number 'Edition for Parkett 81 No 12\/55' (on the handle). Accompanied by a signed and numbered certificate.\u003c\/p\u003e\u003cp\u003egilded brass\u003c\/p\u003e\u003cp\u003e21 1\/4 x 4 3\/8 x 1\/4 inches (54 x 11.1 x 0.6 cm)\u003c\/p\u003e\u003cp\u003eExecuted in 2007. This work is number 12 from an edition of 55 plus 25 artist's proofs.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003ePublished by Parkett Publishers, Zürich and New York for Parkett 81.\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAcquired directly from the publisher by the present owner\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\"I visited the artist in his studio in Peking twice. His work is strong, evocative and meaningful - here he takes a simple fly swatter and enlarges it to importance.\"\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e-Martha Stewart\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\"I make the useful become not useful . . . It is a basis for dealing with perception and when you think about how people use an object, you're also using so-called knowledge in the sense that \"useful\" has a meaning. The meaning is the use. And that plays a great role in human understanding and culture.\"\u003c\/p\u003e\u003cp\u003e-Ai Weiwei in conversation with Jacques Herzog, Parkett No. 81, 2003\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eBorn in Beijing in 1957, Ai Weiwei is a Chinese contemporary artist and activist whose practice spans sculpture, installation, photography, and social media, using art to expose human rights abuses and demand government accountability. His monumental projects, from the millions of handcrafted porcelain seeds in \u003ci\u003eSunflower Seeds\u003c\/i\u003e originally displayed at the Tate Modern, to the dismantling of his own studio by Chinese authorities as shared on social media, reflect his fearless critique of power and the fragility of individual freedom. Through a career defined equally by aesthetic innovation and political resistance, Ai Weiwei has redefined the role of the artist as an agent of social change. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eParkett\u003c\/i\u003e offers a unique and comprehensive archive of contemporary art and artists from around the world. Its 101 volumes, published between 1984 and 2017, include direct collaborations with some of the most compelling artists of the time. Across the series, 270 artists’ portraits were presented, each accompanied by three to five texts written by renowned critics, authors and curators. In addition to these in-depth features, every collaborating artist created an editioned artwork specifically for \u003ci\u003eParkett\u003c\/i\u003e, taking diverse forms such as prints, sculptures, installations, media works, paintings and drawings.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447131459833,"sku":"JP0425024","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425024_01.jpg?v=1784039032"},{"product_id":"woman-on-a-chair","title":"Woman on a Chair","description":"\u003cp\u003eANDRES VALENCIA (B. 2011)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eWoman on a Chair\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003esigned and dated 'Andres V 2023' (on the reverse)\u003c\/p\u003e\u003cp\u003eacrylic and oil pastel on canvas\u003c\/p\u003e\u003cp\u003e34 x 21 inches (86.4 x 53.3 cm)\u003c\/p\u003e\u003cp\u003ePainted in 2023.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAcquired directly from the artist by the present owner\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBorn in California in 2011, thirteen year old Andres Valencia is an emerging artist based in California, known for his colorful, figurative and Cubist-inspired paintings. In February 2025, Penguin Random House released \u003ci\u003eAndres Valencia: Painting Without Rules\u003c\/i\u003e, co-authored with the artist by New York Times bestselling editor Alexander M. Rigby. Museo Jumex in Mexico City will exhibit his works in 2026. His works have sold for over six-figures, with the young artist having amassed a celebrity following, appearing on Jimmy Kimmel Live in 2024. \u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447131492601,"sku":"JP0425040","price":30000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425040-01.jpg?v=1784039033"},{"product_id":"untitled-ndebele-abstract","title":"Untitled (Ndebele abstract)","description":"\u003cp\u003eESTHER MAHLANGU (B. 1935)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eUntitled (Ndebele abstract)\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003esigned and dated 'Esther Mahlangu 2011' (lower left)\u003c\/p\u003e\u003cp\u003eacrylic on canvas\u003c\/p\u003e\u003cp\u003e29 x 37 inches (73.7 x 94 cm)\u003c\/p\u003e\u003cp\u003ePainted in 2011.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThe Melrose Gallery, Johannesburg\u003c\/p\u003e\u003cp\u003eAcquired from the above by the present owner\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBorn in Middleburg, South Africa in 1935, Esther Mahlangu is a globally acclaimed artist and cultural ambassador of the Ndebele nation. She is renowned for her bold, large-scale contemporary paintings that reference her Ndebele heritage, characterized by vibrant geometric patterns inspired by clothing and jewelry. Mahlangu’s art is not merely a personal expression, but rather a testament to the collective memory of her people, utilizing a painting technique that follows local tradition and has been handed down through generations of female artisans.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447131525369,"sku":"JP0425039","price":3400.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425039_01.jpg?v=1784039034"},{"product_id":"untitled-10","title":"Untitled","description":"\u003cp\u003eMICHAELA YEARWOOD-DAN (B. 1994)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eUntitled\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003esigned and dated 'Yearwood-Dan 22' (on the inner support bar); inscribed 'you unfold me' (on the top)\u003c\/p\u003e\u003cp\u003epaper mache and acrylic on wood\u003c\/p\u003e\u003cp\u003e18 1\/8 x 17 7\/8 x 11 5\/8 inches (46 x 45.5 x 29.5 cm)\u003c\/p\u003e\u003cp\u003eExecuted in 2022.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eSim Smith, London\u003c\/p\u003e\u003cp\u003eAcquired from the above by the present owner, 2022\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eEXHIBITED:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eLondon, Sim Smith, \u003ci\u003eSabrina: Gillian Ayres, Tracey Emin, Pam Evelyn, Caroline Jackson, Francesca Mollett, Katy Moran, Victoria Morton, Daisy Parris, Hayley Tompkins, Michaela Yearwood-Dan, \u003c\/i\u003eNovember-December 2022.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBorn in London in 1994, Michaela Yearwood-Dan is a British artist whose vibrant and immersive works span large-scale paintings, works on paper, ceramics, sculpture, and site-specific installations. Her practice explores Blackness, queerness, femininity, healing ritual and carnival culture with a focus on creating unbounded possibilities for identity. Yearwood-Dan’s work has been exhibited internationally, including at the Contemporary Arts Center in Cincinnati and Palazzo Monti in Brescia, and is held in the permanent collections of institutions such as the Hirshhorn Museum in Washington, D.C. and the Dallas Museum of Art.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447131558137,"sku":"JP0425048","price":3200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425048_01.jpg?v=1784039036"},{"product_id":"flow-red","title":"Flow Red","description":"\u003cp\u003eANISH KAPOOR (B. 1954)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eFlow Red\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003esigned and numbered 'Anish Kapoor 19\/39' (on the reverse)\u003c\/p\u003e\u003cp\u003ecolor etching on paper\u003c\/p\u003e\u003cp\u003esheet: 28 9\/16 x 38 inches (72.5 x 96.5 cm)\u003c\/p\u003e\u003cp\u003eframed: 31 3\/4 x 41 inches (80.6 x 104.1 cm)\u003c\/p\u003e\u003cp\u003eExecuted in 2019. This work is number 19 from an edition of 39 plus 10 artist's proofs.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003ePublished by Paragon Press, London, U.K.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAcquired directly from the publisher by the present owner\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBorn in Mumbai, India in 1954, Anish Kapoor is a British-Indian sculptor globally acclaimed for his groundbreaking installations and conceptual art practice. His monumental public works and gallery installations, including \u003ci\u003eCloud Gate \u003c\/i\u003ein Chicago and \u003ci\u003eSky Mirror\u003c\/i\u003e in Nottingham, investigate the interplay of mass and void, challenging the viewers perception of space and materiality while encouraging circumambulation and engagement. \u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447131590905,"sku":"JP0425015","price":4000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425015_01.jpg?v=1784039038"},{"product_id":"ada-10","title":"Ada 10","description":"\u003cp\u003eALEX KATZ (B. 1927)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eAda 10\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003esigned and numbered 'Alex Katz 11\/100' (lower edge)\u003c\/p\u003e\u003cp\u003e17-color silkscreen on Saunders Waterford, HP High White, 425 gsm paper\u003c\/p\u003e\u003cp\u003e54 x 40 1\/2 inches (137.2 x 102.9 cm)\u003c\/p\u003e\u003cp\u003eframed: 58 1\/2 x 45 inches (148.6 x 114.3 cm)\u003c\/p\u003e\u003cp\u003eExecuted in 2022. This work is number 11 from an edition of 100 plus 20 artist's proofs.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003ePrinted by Brand X Editions Ltd, Long Island City. Published by Lococo Fine Art Publisher, St. Louis.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAcquired directly from the publisher by the present owner\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e“I always try to paint in the present tense. If you paint stories, you're painting in the past tense.” \u003c\/p\u003e\u003cp\u003e- Alex Katz\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eAlex Katz, born in Brooklyn in 1927, stands as a defining figure in postwar American art, known for his unmistakable blend of stylized realism and minimalist flair. Working against the grain of Abstract Expressionism in the 1950s, Katz developed a bold, flat aesthetic that came to anticipate and outlive the Pop Art movement. With a focus on clarity, light, and the immediacy of the present moment, his portraits strip away extraneous detail to heighten our awareness of the essential. Over a career spanning more than seven decades, Katz has achieved international acclaim and institutional recognition, with works held in over 100 public collections globally and major retrospectives, including a landmark 2022 exhibition at the Guggenheim, New York.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eAda 10\u003c\/i\u003e, Katz returns to one of his most enduring themes of the cinematic portrait. Rendered in his characteristic style of sharply defined planes and reduced forms, only half of the woman’s face fills the entire page. Katz’s pared-down approach transforms a fleeting moment into something iconographic, and elevates an everyday scene into an emblem of contemporary grace. \u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447131623673,"sku":"JP0425010","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425010_01.jpg?v=1784039037"},{"product_id":"elaidoyl-chloride","title":"Elaidoyl Chloride","description":"\u003cp\u003eDAMIEN HIRST (B. 1965)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eElaidoyl Chloride\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003esigned 'Damien Hirst' (lower right)\u003c\/p\u003e\u003cp\u003ewoodcut in colors on 410 gsm Somerset white textured paper\u003c\/p\u003e\u003cp\u003esheet: 12 x 12 inches (30.5 x 30.5 cm)\u003c\/p\u003e\u003cp\u003eframed: 15 1\/4 x 15 1\/4 inches (38.7 x 38.7 cm)\u003c\/p\u003e\u003cp\u003eExecuted in 2011. This work is number 33 from an edition of 55 plus 15 artist’s proofs.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003ePublished by Paragon Press, London.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAcquired directly from the publisher by the present owner\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBorn in Bristol in 1965, Damien Hirst is one of the most influential and controversial British artists of the late 20th and early 21st centuries. He first rose to prominence in the late 1980s as a leading figure of the Young British Artists (YBAs), a group known for their provocative and concept-driven work. Hirst quickly became known for pushing boundaries in art, particularly his use of unusual materials like whole animals preserved in formaldehyde, pharmaceuticals, and surgical instruments. His fascination with death, desire, science, and belief systems has made him both a cultural lightning rod and a defining figure of contemporary art. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eHirst’s \u003ci\u003eElaidoyl Chloride\u003c\/i\u003e exemplifies the artist’s enduring fascination with the intersection of science and aesthetics. This work translates Hirst’s universally known \u003ci\u003eSpot Paintings\u003c\/i\u003e series into a print with four distinct and perfect circles in yellow, orange, red, and purple. The works title, referencing an organic compound that can be used as a building block for synthesizing other organic compounds such as pharmaceuticals, situates the work within Hirst’s conceptual framework that often explores life, death and the codes of existence.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447131656441,"sku":"JP0425021","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425021-01.jpg?v=1784039036"},{"product_id":"blues-women","title":"Blues Women","description":"\u003cp\u003eTHOMAS SCHÜTTE (B. 1954)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eBlues Women\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003esigned, numbered and dated in pencil 'Thomas Schutte 2018 21\/35' (lower margin)\u003c\/p\u003e\u003cp\u003ecolor etching and letterpress on paper, in four parts\u003c\/p\u003e\u003cp\u003eeach: 35 3\/4 x 27 3\/4 inches (90.8 x 70.5 cm)\u003c\/p\u003e\u003cp\u003eeach framed: 38 3\/4 x 30 3\/4 inches (98.4 x 78.1 cm)\u003c\/p\u003e\u003cp\u003eExecuted in 2018. This work is number 21 from an edition of 35 plus 10 artist's proofs.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003ePublished by the artist.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAcquired directly from the artist by the present owner\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eLITERATURE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eThomas Schütte: Genealogies,\u003c\/i\u003e exh. cat., Venice, Pinault Collection, 2025, p. 258, cat. 86 (another example illustrated).\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBorn in Oldenburg, Germany in 1954, Thomas Schütte is a prominent contemporary artist renowned for his diverse practice encompassing sculpture, architecture, drawing and printmaking. Educated at the Kunstakademie Düsseldorf under influential figures like Gerhard Richter, Schütte’s work critically engages with themes of cultural memory, the human condition and the role of art in society. His 2018 print series, \u003ci\u003eBlues Women\u003c\/i\u003e, pays homage to legendary blues singers Bessie Smith, Billie Holiday, Dinah Washington, and Mamie Smith through a suite of four color etchings, each capturing the emotive power and enduring legacy of these iconic women.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447131689209,"sku":"JP0425016","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425016_01.jpg?v=1784039037"},{"product_id":"george-lord-digby-and-william-lord-russell","title":"George, Lord Digby and William, Lord Russell","description":"\u003cp\u003eKEHINDE WILEY (B. 1977)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eGeorge, Lord Digby and William, Lord Russell\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003esigned, inscribed, and dated in pencil 'Kehinde Wiley 2021 TP' (lower right margin)\u003c\/p\u003e\u003cp\u003earchival ink on innova smooth cotton paper\u003c\/p\u003e\u003cp\u003eimage: 17 x 22 3\/4 inches (43.2 x 57.8 cm)\u003c\/p\u003e\u003cp\u003esheet: 20 x 25 3\/4 inches (50.8 x 65.4 cm)\u003c\/p\u003e\u003cp\u003eframed: 24 3\/4 x 30 1\/4 inches (62.9 x 76.8 cm)\u003c\/p\u003e\u003cp\u003eExecuted in 2021. This work is a trial proof, the edition was not realized.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePROVENANCE:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAcquired directly from the artist by the present owner\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNOTES:\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eBorn in Los Angeles in 1977, Kehinde Wiley is a prominent American portrait artist celebrated for his dynamic reimagining of classical portraiture. His work features contemporary Black subjects depicted in heroic poses against ornate, often sublime background, challenging historical conventions of representation. Wiley’s \u003ci\u003eGeorge, Lord Digby and William, Lord Russel\u003c\/i\u003e exemplifies this approach, reinterpreting 17th-century aristocracy through a modern lens, giving new life to the figures with contemporary identities.\u003c\/p\u003e","brand":"Joopiter","offers":[{"title":"Default Title","offer_id":46447131721977,"sku":"JP0425007","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0425007_01.jpg?v=1784039039"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/collections\/martha_portrait_red_outfit_SM.jpg?v=1789575690","url":"https:\/\/shop.joopiter.com\/en-kr\/collections\/contemporary-take-1.oembed","provider":"Joopiter","version":"1.0","type":"link"}