{"title":"John Dove and Molly White","description":null,"products":[{"product_id":"mkt-john-dove-and-molly-white-sex-via-boy-x-vivienne-westwood-malcolm-mclaren-tits-t-shirt","title":"Tits T-shirt","description":"\u003cp\u003eA 1983 example of Westwood and McLaren's \"\"Tits\"\" T-shirt — one of the most directly confrontational designs in the SEX-shop archive, first issued at 430 King's Road in the mid-1970s. This shirt is a textbook example o the fetish-and-provocation visual language that defined Westwood and McLaren's prelude to British punk. Screen-printed on cotton in a life-size photographic image of a naked female torso, the design extends the SEX shop's deliberate collapse of clothing into body, and clothing into transgression, that would feed directly into the iconography of the Sex Pistols. The present example is a reissue from the original screens, produced for the BOY retail line at 153 King's Road in 1983, the period in which a number of canonical SEX-era designs were reprinted from the original screens for the post-Seditionaries shop. \u003cbr\u003e\u003cbr\u003e27 9\/16 × 12 3\/16 inches (70 × 31 cm)\u003c\/p\u003e","brand":"SEX VIA BOY X VIVIENNE WESTWOOD \u0026 MALCOLM MCLAREN","offers":[{"title":"Default Title","offer_id":48505468092665,"sku":"JP0526169","price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526169_1.jpg?v=1781098049"},{"product_id":"mkt-john-dove-and-molly-white-fifth-column-vive-lanarchie-t-shirt","title":"Vive L'Anarchie' T-shirt","description":"\u003cp\u003eA Fifth Column screen-printed T-shirt from the late-Seventies and early-Eighties window of British DIY print culture. Featured is the long-running French and continental European anarchist slogan, VIVE L'ANARCHIE, rendered in multi-color splatter typography and repeated across both front and back. Fifth Column was the London screen-printing collective whose hand-pulled output ran through the wider punk and post-punk independent-design network of the period, producing some of the era's most distinctive T-shirt graphics outside the formal Westwood-McLaren retail line. The shirt sits inside the broader anarchist visual vocabulary punk had absorbed from earlier political agitation and re-circulated through music, fashion and underground print.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e26 × 14 3\/16 inches (66 × 36 cm)\u003c\/p\u003e","brand":"FIFTH COLUMN","offers":[{"title":"Default Title","offer_id":48505468125433,"sku":"JP0526170","price":800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526170_1.jpg?v=1781098064"},{"product_id":"mkt-john-dove-and-molly-white-aspidistra-designs-x-john-dove-molly-white-breasts-graphic-t-shirt","title":"BREASTS Graphic T-shirt","description":"\u003cp\u003eThe BREASTS T-shirt was conceived and printed by John Dove and Molly White in 1969 under their early Aspidistra Designs imprint. The design is an exercise in trompe-l'œil that mapped features of the body onto the cloth itself with a piece from the artists' Painless Tattoo collection of the previous year. The screen was made from a photograph by James Wedge of his then partner, the 1960s model Pat Booth, taken specifically for the design after Caroline Baker, fashion editor of Nova magazine, introduced the parties on the strength of Wedge's recent shoot of the Painless Tattoos. The first edition was printed on ex-government surplus ecru jersey in monochrome black with a fine blue tint, and sold at Booth and Wedge's celebrated Chelsea boutique COUNTDOWN on the King's Road, alongside a handful of New York and European stockists — with approximately forty examples produced. In 1973 Malcolm McLaren and Vivienne Westwood visited Dove and White's Villiers Road studio specifically to stock the BREASTS design at the new shop they were planning at 430 King's Road; no deal was reached on the same point that would recur with subsequent designs — the artists wouldn't drop their own labels.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e21 1\/16 × 14 3\/16 inches (53.5 × 36 cm)\u003c\/p\u003e","brand":"ASPIDISTRA DESIGNS X JOHN DOVE \u0026 MOLLY WHITE","offers":[{"title":"Default Title","offer_id":48505468158201,"sku":"JP0526171","price":1300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526171_1.jpg?v=1781098111"},{"product_id":"mkt-john-dove-and-molly-white-kitsch-22-wonder-workshop-iggy-pop-rebel-t-shirt","title":"Iggy Pop Rebel T-shirt","description":"\u003cp\u003eA 2009 hand-printed reissue of the Iggy Pop Rebel T-shirt, taken from the original 1978 screens. The Iggy Pop design was among the first in the Rebel series Dove and White produced at Kitsch-22, 22 Woodstock Street, during the three-month studio shutdown in which they designed the entire collection from scratch in the wake of Elvis Presley's death. The portrait was built from a photograph Iggy himself handed Dove and White on his visit to BOY in 1979 — the year the artists struck the deal with John Krivine to stock the Rebel collection at the shop on 153 King's Road. The piece sits within Dove and White's longer association with Iggy, which had begun with the 1971 leatherette leopard-head jacket they made for him, photographed by Mick Rock for the cover of the Stooges' Raw Power in 1972, and continued through the 2013 fortieth-anniversary leatherette produced in collaboration with Rei Kawakubo of Comme des Garçons. In 2007 the Aquarium Gallery, London commissioned the artists to publish the Rebel and Face collections from the original screens in a limited edition of forty-six numbered, signed examples.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e29 1\/8 × 17 5\/16 inches (74 × 44 cm)\u003c\/p\u003e","brand":"KITSCH-22 \/ WONDER WORKSHOP","offers":[{"title":"Default Title","offer_id":48505468190969,"sku":"JP0526172","price":1400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526172_1.jpg?v=1781098188"},{"product_id":"mkt-john-dove-and-molly-white-mosquitohead-jimi-hendrix-t-shirt","title":"Jimi Hendrix T-shirt","description":"\u003cp\u003eA Mosquitohead screen-printed T-shirt rendering Jimi Hendrix at the centre of a saturated, swirling psychedelic ground — built in the elaborate photographic all-over print idiom that defined the British label across the late 1980s, when Mosquitohead emerged as one of the most distinctive independent print operations producing music-themed garments on the UK scene. The composition is built on a vintage photograph of Hendrix in his iconic military-style jacket — the look he made his own across the late 1960s — set against a multi-color background of purples, blues, reds and oranges that pulls forward the chromatic register of Hendrix's own era while filtering it through the heavier-saturation aesthetic of late-Eighties pop-print revival.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis example was given to John Dove and Molly White directly by Mosquitohead's makers in the context of the artists' work on Alice Hiller and John Gordon's The T-Shirt Book (London: Ebury Press, 1988), placing it within the small network of British independent T-shirt designers Dove and White had built around themselves from Wonder Workshop and Kitsch-22 onward.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e29 1\/2 × 21 1\/4 inches (75 × 54 cm)\u003c\/p\u003e","brand":"MOSQUITOHEAD","offers":[{"title":"Default Title","offer_id":48505468223737,"sku":"JP0526173","price":1400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526173_1.jpg?v=1781098249"},{"product_id":"mkt-john-dove-and-molly-white-wonder-workshop-lips-tank-top","title":"Lips Tank Top","description":"\u003cp\u003eThe Lips design — built from Dove and White's photomontage practice using coarse half-tone colour separation, executed across thirty-six unbroken hours of work — was first realised in 1973 and reached the shops the following year. Shortly after, with Malcolm McLaren just back from Paris and the New York Dolls' European tour, McLaren and Vivienne Westwood came to Dove and White's studio at Villiers Road, NW10 to discuss stocking the Lips and the parallel Leopardskin Pin-ups designs at the new shop they were planning at 430 King's Road. No deal was struck, as the artists refused to drop their own labels, but the design moved on through Dove and White's own retail line.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe image has continued to circulate across the half-century since: David LaChapelle photographed Drew Barrymore in the Lips jeans for Max magazine, the print was shown at the V\u0026amp;A's 1994 STREET STYLE exhibition, and in 2020 London skate label Palace built its AW20 \"Mauf\" capsule — hoodies, fleeces, T-shirts, hats, jackets and jeans — around the design, introducing Dove and White's punk-era vocabulary to a new generation of streetwear collectors.\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e19 5\/16 × 14 inches (49 × 35.5 cm)\u003c\/p\u003e","brand":"WONDER WORKSHOP","offers":[{"title":"Default Title","offer_id":48505468256505,"sku":"JP0526174","price":4750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526174_1.jpg?v=1781098300"},{"product_id":"mkt-john-dove-and-molly-white-brand-tbd-x-vivienne-westwood-malcolm-mclaren-marilyn-monroe-shattered-t-shirt","title":"Marilyn Monroe 'Shattered' T-shirt","description":"\u003cp\u003eA 1980 example of Westwood and McLaren's Marilyn 'Shattered' T-shirt — a black-and-white photographic portrait of Marilyn Monroe framed within a thin black border on white cotton jersey, with the word shattered set in lowercase typewriter typography directly beneath the image. Monroe's lips, picked out in red, are the only chromatic accent against the otherwise monochrome face.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe portrait itself is unaltered — the conceptual work is done entirely by the single word printed below. The design ran through the late-Seditionaries period at 430 King's Road as the shop moved toward its Worlds End rebrand at the end of 1980, and operates within the broader Westwood-McLaren strategy of pulling pop iconography out of its commercial register through a single textual intervention.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e25 13\/16 × 13 9\/16 inches (65.5 × 34.5 cm)\u003c\/p\u003e","brand":"[BRAND TBD] X VIVIENNE WESTWOOD \u0026 MALCOLM MCLAREN","offers":[{"title":"Default Title","offer_id":48505468289273,"sku":"JP0526175","price":1300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/MARILYN_Shattered_T-Shirt19801.jpg?v=1781098336"},{"product_id":"mkt-john-dove-and-molly-white-artistique-et-sentimentale-seppuku-t-shirt","title":"Seppuku T-shirt","description":"\u003cp\u003eAn Artistique et Sentimentale screen-printed cotton garment of the early-to-mid 1980s, this wide-cut and sleeveless T-shirt features brass grommets at the shoulders and a design built around an extended passage of handwritten text from Yukio Mishima's Patriotism (Yūkoku), the 1961 novella by the Japanese author who would himself commit ritual seppuku in 1970. Referred to as the Seppuku graphic by the creators, the passage describes the lieutenant's ritual suicide in graphic detail; the design layers that scrawled text over a central figure of a man drawing his sword, against a multi-color ground of pink, turquoise and red, punctuated with kanji characters, the Japanese name ジョン・シルバー (John Silver), and a small red postage-stamp graphic at the chest.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe maker is the same studio responsible for the 1975 'Terry … Who Needs a T-Shirt?' (Lot 31 in the PUNK50 Sale), produced in the years after the brand evolved from its earlier Modern Art label and operated across a French-leaning, literary, and at times deliberately disturbing graphic register that sat at angles to the Westwood-McLaren retail line.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e28 3\/4 × 15 3\/4 inches (73 × 40 cm)\u003c\/p\u003e","brand":"ARTISTIQUE ET SENTIMENTALE","offers":[{"title":"Default Title","offer_id":48505468354809,"sku":"JP0526176","price":3800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526176_1_3806dcdf-cbd2-4b48-8d8a-1624402c83c1.jpg?v=1781103004"},{"product_id":"mkt-john-dove-and-molly-white-susan-clowes-destruction-of-purity-t-shirt","title":"Destruction of Purity T-shirt","description":"\u003cp\u003eA 1982 screen-printed cotton sleeveless T-shirt by the London designer Susan Clowes — a deliberately confrontational composition in which a golden cross is set against a sprayed pink-and-blue halo, with eight silhouetted military bombers arranged across and around the cross, framed at the corners by clusters of yellow-gold roses on green leaves.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe image works the post-punk visual logic that ran through London independent design across the early 1980s — religion, militarism, and the cosmetics of decay layered against one another inside a single composition. Clowes worked within the independent-design ecosystem running alongside the Westwood-McLaren retail line and the broader Kitsch-22, BOY and Fifth Column print network, producing one-off and small-edition shirts for the wider scene around Camden, Soho and the King's Road.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e24 13\/16 × 18 1\/8 inches (63 × 46 cm)\u003c\/p\u003e","brand":"SUSAN CLOWES","offers":[{"title":"Default Title","offer_id":48505468387577,"sku":"JP0526177","price":800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526177_1.jpg?v=1781099473"},{"product_id":"mkt-john-dove-and-molly-white-john-dove-molly-white-too-hot-to-handle-t-shirt","title":"Too Hot to Handle T-shirt","description":"\u003cp\u003eA 2009 hand-pulled reissue of John Dove and Molly White's Too Hot to Handle design. Originally produced at the end of the artists' Rebel T-shirt session of 1979 and then rereleased in the 1980s as part of a wider run of eight photomontage prints, this 2009 reissue was hand-printed by Dove and White from the original 1970s screens.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe composition layers a red pin-up figure against a vertical missile, beneath the title set in cut-out ransom-note typography across the left of the chest in red, black and yellow, with greenish-yellow ground washes pulled across the surface — sex bomb and atomic bomb collapsed into a single image in the Cold War nuclear-age visual register that ran across British political T-shirt design in the late 1970s. At the studio's print table the makers deliberately kept the number of screens to a minimum, using them as if they were paintbrushes — changing color and shape at random across the surface so that no two pulls came out identical. The design belongs to the wider body of work — Rebel, Face, and the associated photomontage series — that placed Dove and White at the centre of British political and pop-graphic T-shirt practice across the late Seventies into the 1980s.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e28 3\/4 × 16 9\/16 inches (73 × 42 cm)\u003c\/p\u003e","brand":"JOHN DOVE \u0026 MOLLY WHITE","offers":[{"title":"Default Title","offer_id":48505468420345,"sku":"JP0526178","price":950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526178_1_85557e7b-6fd8-45b4-bed9-33ea755dd71d.jpg?v=1781099717"},{"product_id":"mkt-john-dove-and-molly-white-sex-via-boy-x-vivienne-westwood-malcolm-mclaren-two-cowboys-t-shirt","title":"Two Cowboys T-shirt","description":"\u003cp\u003eA 1983 reissue of one of the most notorious garments to come out of Vivienne Westwood and Malcolm McLaren's SEX period at 430 King's Road. The design appropriates Jim French's 1969 illustration \"Longhorns - Dance,\" where two naked cowboys facing one another with hats raised in greeting, originally drawn by French for the gay-male physique press of the late 1960s. Mclaren goes a step further, overlaying the design with a speech bubble to push the image into deliberate confrontation. The shirt was at the centre of one of the British punk era's earliest legal disputes: in August 1975 Alan Jones, a friend of Westwood's, was arrested in central London for wearing it, charged under the Vagrancy Act with the public display of an indecent print. Westwood and McLaren were charged in turn for selling it. The case is now one of the foundational legal stories of British punk, and the Metropolitan Museum of Art, New York, holds an example of the design in its permanent collection.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis 1983 example is a hand-pulled reprint from the original mid-1970s screens, produced through the BOY retail line at 153 King's Road during the post-Seditionaries period\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e23 5\/8 × 14 15\/16 inches (60 × 38 cm)\u003c\/p\u003e","brand":"SEX VIA BOY X VIVIENNE WESTWOOD \u0026 MALCOLM MCLAREN","offers":[{"title":"Default Title","offer_id":48505468453113,"sku":"JP0526182","price":1400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526182_1.jpg?v=1781100258"},{"product_id":"mkt-john-dove-and-molly-white-sex-via-boy-x-vivienne-westwood-malcolm-mclaren-anarchy-in-the-uk-t-shirt","title":"Anarchy in the UK T-shirt","description":"\u003cp\u003eA 1983 reissue of one of the most-quoted T-shirt designs to come out of the Sex Pistols campaign — Jamie Reid's tattered Union Jack overlaid with ransom-note typography spelling ANARCHY IN THE U.K. and SEX PISTOLS, the title and band wordmarks set against a flag torn through with paint splatter and cut edges. Reid's design originated within the Seditionaries-era materials that ran around the band's 1976–77 single releases, and was reprinted from the original screens in 1983 for the BOY retail line at 153 King's Road — part of the small group of late-Seventies designs revived for the shop's 1980s programme alongside Love Close to Hate (Lot 39 in the PUNK50 auction) and Punk Gang (Lot 38 in the PUNK50 auction).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e26 3\/16 × 15 3\/8 inches (66.5 × 39 cm)\u003c\/p\u003e","brand":"SEX VIA BOY X VIVIENNE WESTWOOD \u0026 MALCOLM MCLAREN","offers":[{"title":"Default Title","offer_id":48505468551417,"sku":"JP0526192","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526192_1_29fb7f6e-540e-4e79-9cdb-ca50576954ed.jpg?v=1781103029"},{"product_id":"mkt-john-dove-and-molly-white-peter-blake-on-the-first-day-t-shirt","title":"On the First Day T-shirt","description":"\u003cp\u003eA Peter Blake-designed T-shirt of the early 1990s, built across three horizontal registers — repeating female portraits, a classical female nude, and Old Master heads set against bands of saturated colour — that condense Blake's lifelong Pop strategy into a single wearable composition. Blake (b. 1932) sits in a particular position in the visual genealogy of British punk: his foundational Pop Art work of the late 1950s and 1960s, with its painted and collaged assemblies of mass-culture imagery and the deliberate flattening of high and low source material, established the visual logic Jamie Reid would later compress and accelerate for the Sex Pistols. The cut-and-paste vocabulary punk graphic culture is now remembered for had already been developed, in a different register, by Blake and his Pop generation across the two decades before.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBlake codified the relationship between visual art and popular music in Britain through his cover for The Beatles' Sgt. Pepper's Lonely Hearts Club Band (1967), and in the decades that followed continued to design covers and ephemera for Paul Weller, Madness, The Who, Oasis and others — operating across exactly the territory the punk and post-punk T-shirt tradition occupied.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e32 11\/16 × 18 7\/8 inches (83 × 48 cm)\u003c\/p\u003e","brand":"PETER BLAKE","offers":[{"title":"Default Title","offer_id":48505468584185,"sku":"JP0526193","price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526193_1_4203bf8d-39b0-48c3-8247-2f88eee5026b.jpg?v=1781101104"},{"product_id":"mkt-john-dove-and-molly-white-modzart-review-hip-t-shirt","title":"HIP T-shirt","description":"\u003cp\u003eA Modzart Review T-shirt of the 1990s built from a snapshot John Dove and Molly White took on a Tokyo trip — the airbrushed neon sign for HIP, a nightclub in Shibuya, captured and reprinted across a glowing pink-and-blue heart on white cotton jersey. The shirt sits inside Dove and White's wider Japan-period output across the 1990s into the 2010s — a sustained engagement with Tokyo's nightlife, signage and street imagery that ran alongside their continuing work in British political and pop-graphic print culture. The Japan-period work would culminate in the artists' 2017 solo exhibition Sensibility and Wonder at the Diesel Art Gallery, Tokyo.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e22 × 14 3\/8 inches (56 × 36.5 cm)\u003c\/p\u003e","brand":"MODZART REVIEW","offers":[{"title":"Default Title","offer_id":48505468616953,"sku":"JP0526194","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526194_1.jpg?v=1781101185"},{"product_id":"mkt-john-dove-and-molly-white-modzart-review-c30-c60-c90-go-t-shirt","title":"C30-C60-C90-Go! T-shirt","description":"\u003cp\u003eA Modzart Review T-shirt of the early 1980s referencing Bow Wow Wow's debut single C30 C60 C90 Go! — the 1980 song that celebrated the home-taping moment Malcolm McLaren had built around the band after the Sex Pistols, and that became the era's central anti-record-industry anthem. The single's release coincided with one of the most consequential cultural battles of the early 1980s. The BPI lobbied to introduce taxes on blank cassettes, arguing that home taping was destroying the music industry. McLaren and the punk-and-post-punk underground responded by treating home taping as a form of mass musical democratization. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e24 13\/16 × 13 3\/4 inches (63 × 35 cm)\u003c\/p\u003e","brand":"MODZART REVIEW","offers":[{"title":"Default Title","offer_id":48505468649721,"sku":"JP0526195","price":260.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526195_1_3150e485-0f23-48c7-86c6-b479be9fd653.jpg?v=1781101509"}],"url":"https:\/\/shop.joopiter.com\/en-kr\/collections\/john-dove-and-molly-white.oembed","provider":"Joopiter","version":"1.0","type":"link"}