{"title":"The PUNK Effect","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePunk’s legacy is often reduced to cliché: tartan, leather, safety pins. In reality, it changed the visual language of culture, from graphics and music ephemera to fashion, accessories, and collectible design.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBringing together rare posters, flyers, records, artist material, and fashion objects, this selection traces punk’s impact across decades. From the Clash, the Ramones, Patti Smith, and the Sex Pistols to later designers and cultural figures shaped by that same disruptive energy, these pieces capture punk as more than a scene. They show it as a lasting force in how we dress, collect, and communicate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhat survives is not only memorabilia, but attitude.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","products":[{"product_id":"mkt-curated-by-99bhkadoya-hammer-leather-black-gloves","title":"Hammer Leather Gloves","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThese vintage Kadoya Hammer Leather Gloves reflect the rugged appeal of garments shaped through wear over time. The distressed leather exterior and naturally weathered finish reinforce the pair’s utilitarian origins while lending them the effortless character associated with archival biker and grunge styling. Founded in 1935, Kadoya remains one of Japan’s most respected motorcycle outfitter brands, and pieces like these have become increasingly sought after for their balance of authenticity and subcultural edge.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTip to cuff: 8 inches (20.3 cm) Middle finger: 3 1\/2 inches (8.9 cm) Pointer and ring finger: 3 inches (7.6 cm) Little finger: 2 1\/4 inches (5.7 cm) Width: 4 inches (10.2 cm)\u003c\/p\u003e","brand":"KADOYA","offers":[{"title":"US Men's L","offer_id":48367529132281,"sku":"JP0426112","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0426112_1.jpg?v=1778208788"},{"product_id":"mkt-curated-by-joopiter-chrome-hearts-x-rolling-stones-rolling-stones-denim-jacket","title":"Rolling Stones Denim Jacket","description":"\u003cp\u003eThe Chrome Hearts × Rolling Stones partnership is among the most enduring brand-meets-band collaborations in fashion, threading the Stones' iconic lips-and-tongue logo through Chrome Hearts' signature metallurgy across multiple drops over the years. This denim jacket sits inside that program: a women's cut denim trucker in a small, finished with an applied leather Rolling Stones lips-and-tongue patch, .925 sterling silver buttons cast as lips and tongues running the placket, and the brand's signature CH scroll label stitched at the lower hem. Chrome Hearts × Rolling Stones denim remains among the more chased items within the brand's collaborative catalog, and the women's cuts carrying original sterling hardware especially so.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSleeve length: 26 1\/12 inches (66.2 cm) Chest Width: 17 inches (43.2 cm) Waist Width: 17 1\/8 inches (43.5 cm) Body Length: 20 inches (50.8 cm) Shoulder Length: 15 7\/8 inches (40.3 cm)\u003c\/p\u003e","brand":"CHROME HEARTS X ROLLING STONES","offers":[{"title":"Small","offer_id":48450753691897,"sku":"JP0426083","price":8000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0426083_2.jpg?v=1779913278"},{"product_id":"mkt-99bulletholes-vintage-undercover-85-denim-jeans","title":"85 Denim Jeans","description":"\u003cp\u003eA piece from one of the more carefully chased moments in Jun Takahashi's Undercover archive, this AW05 \"85\" denim sits inside the brand's mid-2000s peak — when Takahashi's reconstructed silhouettes, distressed surfaces, and conceptual seasonal narratives were operating at a level the brand has not since matched. Sized Undercover 3 (a mens 34) and presented unaltered, AW05 Undercover denim in unaltered, undamaged condition is among the harder finds in the archive.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWaist: 17 9\/16 inches (44.6 cm) Hip: 19 11\/16 inches (50 cm) Rise: 10 7\/16 inches (26.5 cm) Inseam: 34 5\/8 inches (88 cm) Leg opening: 6 11\/16 inches (17 cm)\u003c\/p\u003e","brand":"UNDERCOVER","offers":[{"title":"34","offer_id":48450753855737,"sku":"JP0426118","price":6500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0426118_1.jpg?v=1779913084"},{"product_id":"mkt-99bulletholes-vintage-raf-simons-x-sterling-ruby-pine-soto-bleached-jeans","title":"Pine Soto Bleached Jeans","description":"\u003cp\u003eThe Raf Simons × Sterling Ruby SS10 collaboration sits among the most-quoted seasons in Raf's catalog — a meeting between the designer and the Los Angeles-based artist that produced a season's worth of bleached, sprayed, and painterly textiles built on Sterling Ruby's own studio practice. This pair is the \"Pine Soto\" denim from the season: the bleach treatment intact and reading exactly as it was intended to. This particular pair carries provenance through close personal channels in Raf's immediate orbit at the time of the collection's release — preserved condition consistent with that history.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWaist: 18 3\/16 inches (46.2 cm) Hip: 20 1\/2 inches (52 cm) Rise: 11 13\/16 inches (30 cm) Inseam: 32 5\/16 inches (82 cm) Leg opening: 8 inches (20.3 cm)\u003c\/p\u003e","brand":"RAF SIMONS X STERLING RUBY","offers":[{"title":"34","offer_id":48450753921273,"sku":"JP0426143","price":3125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0426143_1.jpg?v=1779913026"},{"product_id":"mkt-99bulletholes-vintage-number-nine-hybrid-cargo-pants-2-pocket","title":"Hybrid Cargo Pants 2 Pocket","description":"\u003cp\u003eTakahiro Miyashita's Number (N)ine ran from 1996 through its closure in 2009, and across that arc AW05 is the season most consistently cited as the brand's peak — the moment when Miyashita's romantic, music-saturated tailoring vocabulary, layered subcultural references, and obsessive construction practice arrived in their fullest form. This piece is the AW05 hybrid two-pocket cargo: a reconstructed cargo silhouette built across multiple panels with the kind of mixed-fabric construction that defined Miyashita's work in this period. Sized Number (N)ine 4 — the brand's XL, and the harder size to find across the line generally, particularly in the more collected seasons.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWaist: 14 3\/4 inches (37.5 cm) Hip: 19 11\/16 inches (50 cm) Rise: 10 7\/16 inches (26.5 cm) Inseam: 32 7\/8 inches (83.5 cm) Leg opening: 6 1\/2 inches (16.5 cm)\u003c\/p\u003e","brand":"NUMBER (N)INE","offers":[{"title":"4","offer_id":48450753986809,"sku":"JP0426149","price":3150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0426149_1.jpg?v=1779913000"},{"product_id":"mkt-99bulletholes-vintage-vintage-nirvana-nevermind-tour-hat","title":"Nirvana Nevermind Tour Hat","description":"\u003cp\u003eA piece of original Nirvana tour ephemera from the period around Nevermind — the band's September 1991 record that, in the eighteen months that followed, restructured the commercial landscape of rock music and turned Nirvana from a regional Northwest act into a generational one. This hat dates to the touring cycle around that release and was sourced directly from one of the original merchandise hands working the shows at the time, where it had been kept among a small stash of leftover stock for decades. Original Nirvana tour merchandise from this specific window is among the most carefully chased categories in vintage music memorabilia, with collector interest sharpening across the past decade as Nevermind anniversary cycles have brought renewed attention to the band's original-press objects.\u003c\/p\u003e","brand":"VINTAGE","offers":[{"title":"Default Title","offer_id":48450754117881,"sku":"JP0426157","price":385.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0426157_1.jpg?v=1779912938"},{"product_id":"mkt-99bulletholes-vintage-undercover-x-jun-takahashi-scab-chino-pants","title":"Scab Chino Pants","description":"\u003cp\u003eUndercover's SS03 \"Scab\" collection sits among Jun Takahashi's most-discussed seasons — a runway built around themes of wound, healing, and bodily damage, with garments incorporating exposed seams, bandage-like wrappings, and scab-and-suture motifs that have continued to influence subcultural fashion for the two decades since. This piece is the SS03 Scab chino: a relaxed-cut cotton trouser carrying the season's signature construction details, sized Undercover large.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWaist: 16 1\/4 inches (41.3 cm) Hip: 17 15\/16 inches (45.5 cm) Rise: 10 5\/8 inches (27 cm) Inseam: 30 11\/16 inches (78 cm) Leg opening: 8 3\/16 inches (20.8 cm)\u003c\/p\u003e","brand":"UNDERCOVER X JUN TAKAHASHI","offers":[{"title":"Large","offer_id":48450754248953,"sku":"JP0426161","price":720.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0426161_2.jpg?v=1779912913"},{"product_id":"mkt-john-dove-and-molly-white-sex-via-boy-x-vivienne-westwood-malcolm-mclaren-tits-t-shirt","title":"Tits T-shirt","description":"\u003cp\u003eA 1983 example of Westwood and McLaren's \"\"Tits\"\" T-shirt — one of the most directly confrontational designs in the SEX-shop archive, first issued at 430 King's Road in the mid-1970s. This shirt is a textbook example o the fetish-and-provocation visual language that defined Westwood and McLaren's prelude to British punk. Screen-printed on cotton in a life-size photographic image of a naked female torso, the design extends the SEX shop's deliberate collapse of clothing into body, and clothing into transgression, that would feed directly into the iconography of the Sex Pistols. The present example is a reissue from the original screens, produced for the BOY retail line at 153 King's Road in 1983, the period in which a number of canonical SEX-era designs were reprinted from the original screens for the post-Seditionaries shop. \u003cbr\u003e\u003cbr\u003e27 9\/16 × 12 3\/16 inches (70 × 31 cm)\u003c\/p\u003e","brand":"SEX VIA BOY X VIVIENNE WESTWOOD \u0026 MALCOLM MCLAREN","offers":[{"title":"Default Title","offer_id":48505468092665,"sku":"JP0526169","price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526169_1.jpg?v=1781098049"},{"product_id":"mkt-john-dove-and-molly-white-fifth-column-vive-lanarchie-t-shirt","title":"Vive L'Anarchie' T-shirt","description":"\u003cp\u003eA Fifth Column screen-printed T-shirt from the late-Seventies and early-Eighties window of British DIY print culture. Featured is the long-running French and continental European anarchist slogan, VIVE L'ANARCHIE, rendered in multi-color splatter typography and repeated across both front and back. Fifth Column was the London screen-printing collective whose hand-pulled output ran through the wider punk and post-punk independent-design network of the period, producing some of the era's most distinctive T-shirt graphics outside the formal Westwood-McLaren retail line. The shirt sits inside the broader anarchist visual vocabulary punk had absorbed from earlier political agitation and re-circulated through music, fashion and underground print.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e26 × 14 3\/16 inches (66 × 36 cm)\u003c\/p\u003e","brand":"FIFTH COLUMN","offers":[{"title":"Default Title","offer_id":48505468125433,"sku":"JP0526170","price":800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526170_1.jpg?v=1781098064"},{"product_id":"mkt-john-dove-and-molly-white-aspidistra-designs-x-john-dove-molly-white-breasts-graphic-t-shirt","title":"BREASTS Graphic T-shirt","description":"\u003cp\u003eThe BREASTS T-shirt was conceived and printed by John Dove and Molly White in 1969 under their early Aspidistra Designs imprint. The design is an exercise in trompe-l'œil that mapped features of the body onto the cloth itself with a piece from the artists' Painless Tattoo collection of the previous year. The screen was made from a photograph by James Wedge of his then partner, the 1960s model Pat Booth, taken specifically for the design after Caroline Baker, fashion editor of Nova magazine, introduced the parties on the strength of Wedge's recent shoot of the Painless Tattoos. The first edition was printed on ex-government surplus ecru jersey in monochrome black with a fine blue tint, and sold at Booth and Wedge's celebrated Chelsea boutique COUNTDOWN on the King's Road, alongside a handful of New York and European stockists — with approximately forty examples produced. In 1973 Malcolm McLaren and Vivienne Westwood visited Dove and White's Villiers Road studio specifically to stock the BREASTS design at the new shop they were planning at 430 King's Road; no deal was reached on the same point that would recur with subsequent designs — the artists wouldn't drop their own labels.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e21 1\/16 × 14 3\/16 inches (53.5 × 36 cm)\u003c\/p\u003e","brand":"ASPIDISTRA DESIGNS X JOHN DOVE \u0026 MOLLY WHITE","offers":[{"title":"Default Title","offer_id":48505468158201,"sku":"JP0526171","price":1300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526171_1.jpg?v=1781098111"},{"product_id":"mkt-john-dove-and-molly-white-kitsch-22-wonder-workshop-iggy-pop-rebel-t-shirt","title":"Iggy Pop Rebel T-shirt","description":"\u003cp\u003eA 2009 hand-printed reissue of the Iggy Pop Rebel T-shirt, taken from the original 1978 screens. The Iggy Pop design was among the first in the Rebel series Dove and White produced at Kitsch-22, 22 Woodstock Street, during the three-month studio shutdown in which they designed the entire collection from scratch in the wake of Elvis Presley's death. The portrait was built from a photograph Iggy himself handed Dove and White on his visit to BOY in 1979 — the year the artists struck the deal with John Krivine to stock the Rebel collection at the shop on 153 King's Road. The piece sits within Dove and White's longer association with Iggy, which had begun with the 1971 leatherette leopard-head jacket they made for him, photographed by Mick Rock for the cover of the Stooges' Raw Power in 1972, and continued through the 2013 fortieth-anniversary leatherette produced in collaboration with Rei Kawakubo of Comme des Garçons. In 2007 the Aquarium Gallery, London commissioned the artists to publish the Rebel and Face collections from the original screens in a limited edition of forty-six numbered, signed examples.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e29 1\/8 × 17 5\/16 inches (74 × 44 cm)\u003c\/p\u003e","brand":"KITSCH-22 \/ WONDER WORKSHOP","offers":[{"title":"Default Title","offer_id":48505468190969,"sku":"JP0526172","price":1400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526172_1.jpg?v=1781098188"},{"product_id":"mkt-john-dove-and-molly-white-mosquitohead-jimi-hendrix-t-shirt","title":"Jimi Hendrix T-shirt","description":"\u003cp\u003eA Mosquitohead screen-printed T-shirt rendering Jimi Hendrix at the centre of a saturated, swirling psychedelic ground — built in the elaborate photographic all-over print idiom that defined the British label across the late 1980s, when Mosquitohead emerged as one of the most distinctive independent print operations producing music-themed garments on the UK scene. The composition is built on a vintage photograph of Hendrix in his iconic military-style jacket — the look he made his own across the late 1960s — set against a multi-color background of purples, blues, reds and oranges that pulls forward the chromatic register of Hendrix's own era while filtering it through the heavier-saturation aesthetic of late-Eighties pop-print revival.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis example was given to John Dove and Molly White directly by Mosquitohead's makers in the context of the artists' work on Alice Hiller and John Gordon's The T-Shirt Book (London: Ebury Press, 1988), placing it within the small network of British independent T-shirt designers Dove and White had built around themselves from Wonder Workshop and Kitsch-22 onward.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e29 1\/2 × 21 1\/4 inches (75 × 54 cm)\u003c\/p\u003e","brand":"MOSQUITOHEAD","offers":[{"title":"Default Title","offer_id":48505468223737,"sku":"JP0526173","price":1400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526173_1.jpg?v=1781098249"},{"product_id":"mkt-john-dove-and-molly-white-wonder-workshop-lips-tank-top","title":"Lips Tank Top","description":"\u003cp\u003eThe Lips design — built from Dove and White's photomontage practice using coarse half-tone colour separation, executed across thirty-six unbroken hours of work — was first realised in 1973 and reached the shops the following year. Shortly after, with Malcolm McLaren just back from Paris and the New York Dolls' European tour, McLaren and Vivienne Westwood came to Dove and White's studio at Villiers Road, NW10 to discuss stocking the Lips and the parallel Leopardskin Pin-ups designs at the new shop they were planning at 430 King's Road. No deal was struck, as the artists refused to drop their own labels, but the design moved on through Dove and White's own retail line.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe image has continued to circulate across the half-century since: David LaChapelle photographed Drew Barrymore in the Lips jeans for Max magazine, the print was shown at the V\u0026amp;A's 1994 STREET STYLE exhibition, and in 2020 London skate label Palace built its AW20 \"Mauf\" capsule — hoodies, fleeces, T-shirts, hats, jackets and jeans — around the design, introducing Dove and White's punk-era vocabulary to a new generation of streetwear collectors.\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e19 5\/16 × 14 inches (49 × 35.5 cm)\u003c\/p\u003e","brand":"WONDER WORKSHOP","offers":[{"title":"Default Title","offer_id":48505468256505,"sku":"JP0526174","price":4750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526174_1.jpg?v=1781098300"},{"product_id":"mkt-john-dove-and-molly-white-brand-tbd-x-vivienne-westwood-malcolm-mclaren-marilyn-monroe-shattered-t-shirt","title":"Marilyn Monroe 'Shattered' T-shirt","description":"\u003cp\u003eA 1980 example of Westwood and McLaren's Marilyn 'Shattered' T-shirt — a black-and-white photographic portrait of Marilyn Monroe framed within a thin black border on white cotton jersey, with the word shattered set in lowercase typewriter typography directly beneath the image. Monroe's lips, picked out in red, are the only chromatic accent against the otherwise monochrome face.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe portrait itself is unaltered — the conceptual work is done entirely by the single word printed below. The design ran through the late-Seditionaries period at 430 King's Road as the shop moved toward its Worlds End rebrand at the end of 1980, and operates within the broader Westwood-McLaren strategy of pulling pop iconography out of its commercial register through a single textual intervention.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e25 13\/16 × 13 9\/16 inches (65.5 × 34.5 cm)\u003c\/p\u003e","brand":"[BRAND TBD] X VIVIENNE WESTWOOD \u0026 MALCOLM MCLAREN","offers":[{"title":"Default Title","offer_id":48505468289273,"sku":"JP0526175","price":1300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/MARILYN_Shattered_T-Shirt19801.jpg?v=1781098336"},{"product_id":"mkt-john-dove-and-molly-white-artistique-et-sentimentale-seppuku-t-shirt","title":"Seppuku T-shirt","description":"\u003cp\u003eAn Artistique et Sentimentale screen-printed cotton garment of the early-to-mid 1980s, this wide-cut and sleeveless T-shirt features brass grommets at the shoulders and a design built around an extended passage of handwritten text from Yukio Mishima's Patriotism (Yūkoku), the 1961 novella by the Japanese author who would himself commit ritual seppuku in 1970. Referred to as the Seppuku graphic by the creators, the passage describes the lieutenant's ritual suicide in graphic detail; the design layers that scrawled text over a central figure of a man drawing his sword, against a multi-color ground of pink, turquoise and red, punctuated with kanji characters, the Japanese name ジョン・シルバー (John Silver), and a small red postage-stamp graphic at the chest.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe maker is the same studio responsible for the 1975 'Terry … Who Needs a T-Shirt?' (Lot 31 in the PUNK50 Sale), produced in the years after the brand evolved from its earlier Modern Art label and operated across a French-leaning, literary, and at times deliberately disturbing graphic register that sat at angles to the Westwood-McLaren retail line.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e28 3\/4 × 15 3\/4 inches (73 × 40 cm)\u003c\/p\u003e","brand":"ARTISTIQUE ET SENTIMENTALE","offers":[{"title":"Default Title","offer_id":48505468354809,"sku":"JP0526176","price":3800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526176_1_3806dcdf-cbd2-4b48-8d8a-1624402c83c1.jpg?v=1781103004"},{"product_id":"mkt-john-dove-and-molly-white-susan-clowes-destruction-of-purity-t-shirt","title":"Destruction of Purity T-shirt","description":"\u003cp\u003eA 1982 screen-printed cotton sleeveless T-shirt by the London designer Susan Clowes — a deliberately confrontational composition in which a golden cross is set against a sprayed pink-and-blue halo, with eight silhouetted military bombers arranged across and around the cross, framed at the corners by clusters of yellow-gold roses on green leaves.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe image works the post-punk visual logic that ran through London independent design across the early 1980s — religion, militarism, and the cosmetics of decay layered against one another inside a single composition. Clowes worked within the independent-design ecosystem running alongside the Westwood-McLaren retail line and the broader Kitsch-22, BOY and Fifth Column print network, producing one-off and small-edition shirts for the wider scene around Camden, Soho and the King's Road.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e24 13\/16 × 18 1\/8 inches (63 × 46 cm)\u003c\/p\u003e","brand":"SUSAN CLOWES","offers":[{"title":"Default Title","offer_id":48505468387577,"sku":"JP0526177","price":800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526177_1.jpg?v=1781099473"},{"product_id":"mkt-john-dove-and-molly-white-john-dove-molly-white-too-hot-to-handle-t-shirt","title":"Too Hot to Handle T-shirt","description":"\u003cp\u003eA 2009 hand-pulled reissue of John Dove and Molly White's Too Hot to Handle design. Originally produced at the end of the artists' Rebel T-shirt session of 1979 and then rereleased in the 1980s as part of a wider run of eight photomontage prints, this 2009 reissue was hand-printed by Dove and White from the original 1970s screens.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe composition layers a red pin-up figure against a vertical missile, beneath the title set in cut-out ransom-note typography across the left of the chest in red, black and yellow, with greenish-yellow ground washes pulled across the surface — sex bomb and atomic bomb collapsed into a single image in the Cold War nuclear-age visual register that ran across British political T-shirt design in the late 1970s. At the studio's print table the makers deliberately kept the number of screens to a minimum, using them as if they were paintbrushes — changing color and shape at random across the surface so that no two pulls came out identical. The design belongs to the wider body of work — Rebel, Face, and the associated photomontage series — that placed Dove and White at the centre of British political and pop-graphic T-shirt practice across the late Seventies into the 1980s.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e28 3\/4 × 16 9\/16 inches (73 × 42 cm)\u003c\/p\u003e","brand":"JOHN DOVE \u0026 MOLLY WHITE","offers":[{"title":"Default Title","offer_id":48505468420345,"sku":"JP0526178","price":950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526178_1_85557e7b-6fd8-45b4-bed9-33ea755dd71d.jpg?v=1781099717"},{"product_id":"mkt-john-dove-and-molly-white-sex-via-boy-x-vivienne-westwood-malcolm-mclaren-two-cowboys-t-shirt","title":"Two Cowboys T-shirt","description":"\u003cp\u003eA 1983 reissue of one of the most notorious garments to come out of Vivienne Westwood and Malcolm McLaren's SEX period at 430 King's Road. The design appropriates Jim French's 1969 illustration \"Longhorns - Dance,\" where two naked cowboys facing one another with hats raised in greeting, originally drawn by French for the gay-male physique press of the late 1960s. Mclaren goes a step further, overlaying the design with a speech bubble to push the image into deliberate confrontation. The shirt was at the centre of one of the British punk era's earliest legal disputes: in August 1975 Alan Jones, a friend of Westwood's, was arrested in central London for wearing it, charged under the Vagrancy Act with the public display of an indecent print. Westwood and McLaren were charged in turn for selling it. The case is now one of the foundational legal stories of British punk, and the Metropolitan Museum of Art, New York, holds an example of the design in its permanent collection.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis 1983 example is a hand-pulled reprint from the original mid-1970s screens, produced through the BOY retail line at 153 King's Road during the post-Seditionaries period\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e23 5\/8 × 14 15\/16 inches (60 × 38 cm)\u003c\/p\u003e","brand":"SEX VIA BOY X VIVIENNE WESTWOOD \u0026 MALCOLM MCLAREN","offers":[{"title":"Default Title","offer_id":48505468453113,"sku":"JP0526182","price":1400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526182_1.jpg?v=1781100258"},{"product_id":"mkt-curated-by-joopiter-jamie-reid-and-shepard-fairey-bright-future-pinkorange","title":"Bright Future (Pink\/Orange)","description":"\u003cp\u003eJAMIE REID (1947–2023) and SHEPARD FAIREY (b. 1970) \u003cbr\u003eBright Future (Pink\/Orange) \u003cbr\u003esigned by Jamie Reid and Shepard Fairey \u003cbr\u003escreen-print on 100% cotton rag archival paper with deckled edges \u003cbr\u003e29 7\/8 × 29 7\/8 inches (76 × 76 cm) \u003cbr\u003eFrom the edition of 50 \u003cbr\u003eExecuted in 2012.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eJamie Reid and Shepard Fairey's 2012 collaboration print — Bright Future \/ Save Petrol Burn Cars. The image: two Rolls-Royce limousines, hood-to-hood, set ablaze, against Reid's ransom-note title strip and Fairey's signature flame and ornamental groundwork. The piece sits at the precise intersection of Reid's situationist heritage — the burning car as a foundational image of his pre-punk Suburban Press work — and Fairey's OBEY-period anti-consumerist iconography.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Reid–Fairey collaborations represent one of the most consequential intergenerational pairings in late-twentieth-century political print culture. Fairey has spoken repeatedly of Reid as a foundational influence — the Sex Pistols campaign was, by Fairey's own account, the work that defined his approach to art and design as a teenager. The two artists collaborated in print across the 2010s; the present image was issued in three colorways, of which the pink\/orange variant is offered here.\u003c\/p\u003e","brand":"JAMIE REID AND SHEPARD FAIREY","offers":[{"title":"Default Title","offer_id":48505468485881,"sku":"JP0526183","price":1400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526183_1_1.jpg?v=1781107354"},{"product_id":"mkt-john-dove-and-molly-white-sex-via-boy-x-vivienne-westwood-malcolm-mclaren-anarchy-in-the-uk-t-shirt","title":"Anarchy in the UK T-shirt","description":"\u003cp\u003eA 1983 reissue of one of the most-quoted T-shirt designs to come out of the Sex Pistols campaign — Jamie Reid's tattered Union Jack overlaid with ransom-note typography spelling ANARCHY IN THE U.K. and SEX PISTOLS, the title and band wordmarks set against a flag torn through with paint splatter and cut edges. Reid's design originated within the Seditionaries-era materials that ran around the band's 1976–77 single releases, and was reprinted from the original screens in 1983 for the BOY retail line at 153 King's Road — part of the small group of late-Seventies designs revived for the shop's 1980s programme alongside Love Close to Hate (Lot 39 in the PUNK50 auction) and Punk Gang (Lot 38 in the PUNK50 auction).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e26 3\/16 × 15 3\/8 inches (66.5 × 39 cm)\u003c\/p\u003e","brand":"SEX VIA BOY X VIVIENNE WESTWOOD \u0026 MALCOLM MCLAREN","offers":[{"title":"Default Title","offer_id":48505468551417,"sku":"JP0526192","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526192_1_29fb7f6e-540e-4e79-9cdb-ca50576954ed.jpg?v=1781103029"},{"product_id":"mkt-john-dove-and-molly-white-peter-blake-on-the-first-day-t-shirt","title":"On the First Day T-shirt","description":"\u003cp\u003eA Peter Blake-designed T-shirt of the early 1990s, built across three horizontal registers — repeating female portraits, a classical female nude, and Old Master heads set against bands of saturated colour — that condense Blake's lifelong Pop strategy into a single wearable composition. Blake (b. 1932) sits in a particular position in the visual genealogy of British punk: his foundational Pop Art work of the late 1950s and 1960s, with its painted and collaged assemblies of mass-culture imagery and the deliberate flattening of high and low source material, established the visual logic Jamie Reid would later compress and accelerate for the Sex Pistols. The cut-and-paste vocabulary punk graphic culture is now remembered for had already been developed, in a different register, by Blake and his Pop generation across the two decades before.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBlake codified the relationship between visual art and popular music in Britain through his cover for The Beatles' Sgt. Pepper's Lonely Hearts Club Band (1967), and in the decades that followed continued to design covers and ephemera for Paul Weller, Madness, The Who, Oasis and others — operating across exactly the territory the punk and post-punk T-shirt tradition occupied.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e32 11\/16 × 18 7\/8 inches (83 × 48 cm)\u003c\/p\u003e","brand":"PETER BLAKE","offers":[{"title":"Default Title","offer_id":48505468584185,"sku":"JP0526193","price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526193_1_4203bf8d-39b0-48c3-8247-2f88eee5026b.jpg?v=1781101104"},{"product_id":"mkt-john-dove-and-molly-white-modzart-review-hip-t-shirt","title":"HIP T-shirt","description":"\u003cp\u003eA Modzart Review T-shirt of the 1990s built from a snapshot John Dove and Molly White took on a Tokyo trip — the airbrushed neon sign for HIP, a nightclub in Shibuya, captured and reprinted across a glowing pink-and-blue heart on white cotton jersey. The shirt sits inside Dove and White's wider Japan-period output across the 1990s into the 2010s — a sustained engagement with Tokyo's nightlife, signage and street imagery that ran alongside their continuing work in British political and pop-graphic print culture. The Japan-period work would culminate in the artists' 2017 solo exhibition Sensibility and Wonder at the Diesel Art Gallery, Tokyo.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e22 × 14 3\/8 inches (56 × 36.5 cm)\u003c\/p\u003e","brand":"MODZART REVIEW","offers":[{"title":"Default Title","offer_id":48505468616953,"sku":"JP0526194","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526194_1.jpg?v=1781101185"},{"product_id":"mkt-john-dove-and-molly-white-modzart-review-c30-c60-c90-go-t-shirt","title":"C30-C60-C90-Go! T-shirt","description":"\u003cp\u003eA Modzart Review T-shirt of the early 1980s referencing Bow Wow Wow's debut single C30 C60 C90 Go! — the 1980 song that celebrated the home-taping moment Malcolm McLaren had built around the band after the Sex Pistols, and that became the era's central anti-record-industry anthem. The single's release coincided with one of the most consequential cultural battles of the early 1980s. The BPI lobbied to introduce taxes on blank cassettes, arguing that home taping was destroying the music industry. McLaren and the punk-and-post-punk underground responded by treating home taping as a form of mass musical democratization. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e24 13\/16 × 13 3\/4 inches (63 × 35 cm)\u003c\/p\u003e","brand":"MODZART REVIEW","offers":[{"title":"Default Title","offer_id":48505468649721,"sku":"JP0526195","price":260.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526195_1_3150e485-0f23-48c7-86c6-b479be9fd653.jpg?v=1781101509"},{"product_id":"mkt-curated-by-joopiter-roberta-bayley-billy-idol-new-york1978","title":"Billy Idol, New York, 1978","description":"\u003cp\u003eROBERTA BAYLEY (B. 1950) \u003cbr\u003eBilly Idol, New York \u003cbr\u003esigned, titled, numbered 2\/25 and dated 'Billy Idol New York 1978 CIBA Roberta Bayley 2\/25' (on the reverse) \u003cbr\u003ecibachrome print \u003cbr\u003e16 x 20 inches \u003cbr\u003eExecuted in 1978 \u003cbr\u003ethis piece is number 2 from an edition of 25.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA cibachrome print of Billy Idol photographed by Roberta Bayley in New York in 1978, the year Idol's Generation X were crossing the Atlantic to play CBGB and the rest of the downtown circuit. The frame catches Idol bleached and spiky on a New York street in a pale-pink jacket — the early-Generation X aesthetic that would carry him out of the second wave of UK punk and toward the solo career that would define him in the decade ahead. Bayley shot Idol with the same insider access she brought to the wider scene as door manager at CBGB and house photographer at PUNK Magazine — proximity that gave her work a quality the era's press photographers could rarely match.\u003c\/p\u003e","brand":"ROBERTA BAYLEY","offers":[{"title":"Default Title","offer_id":48505468682489,"sku":"JP0426056","price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0426056_1.jpg?v=1781101680"},{"product_id":"mkt-curated-by-joopiter-roberta-bayley-joe-strummer-new-york-1980","title":"Joe Strummer, New York, 1980","description":"\u003cp\u003eROBERTA BAYLEY (B. 1950) \u003cbr\u003eJoe Strummer, New York, 1980 \u003cbr\u003einitialled, titled, numbered 6\/15 and dated 'Joe Strummer New York 1980 6\/15 RB' (on the reverse) \u003cbr\u003ecibachrome print \u003cbr\u003e20 x 16 inches \u003cbr\u003eexecuted in 1980 \u003cbr\u003ethis piece is number 6 from an edition of 15.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eNumber 6 from an edition of 15, initialled, titled, numbered and dated by Bayley on the reverse — a cibachrome print of Joe Strummer photographed by Roberta Bayley in New York in 1980, the year of The Clash's Sandinista! sessions and the band's extended stay in the city that had become a second home. The frame catches Strummer in a black cowboy hat and a red-and-black Western shirt, sitting on a bed leafing through a magazine — the unforced proximity Bayley brought to the entire scene as door manager at CBGB and house photographer at PUNK Magazine, applied to one of punk's defining frontmen at the height of his American moment. London Calling had been recorded the year before, and Strummer himself had become a familiar figure in the downtown circuit Bayley documented from the inside.\u003c\/p\u003e","brand":"ROBERTA BAYLEY","offers":[{"title":"Default Title","offer_id":48505468715257,"sku":"JP0426057","price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0426057_1.jpg?v=1781101929"},{"product_id":"mkt-curated-by-joopiter-roberta-bayley-deborah-harry-boston-1978","title":"Deborah Harry, Boston, 1978","description":"\u003cp\u003eROBERTA BAYLEY (B. 1950) \u003cbr\u003eDebbie Harry, Boston, 1978 \u003cbr\u003edouble signed, titled, numbered A.P. and dated 'Deborah Harry Boston 1978 A.P. Roberta Bayley' (on the reverse) \u003cbr\u003ecibachrome print \u003cbr\u003e19 × 23 3\/8 inches \u003cbr\u003eexecuted in 1978. \u003cbr\u003ethis work is one of three artists proofs created.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOne of three artist's proofs, double-signed, titled and dated by Bayley on the reverse — a cibachrome print of Deborah Harry photographed by Roberta Bayley in Boston in 1978, the year Blondie released Parallel Lines and the band crossed from CBGB cult act into one of the most-watched musical groups in the world. The image — a close, Polaroid-style portrait of Harry with blonde hair, blue eye-shadow and red lips, captioned 'Debbie Harry Boston 1978' in Bayley's hand — captures her on the road during the period in which \"Heart of Glass\" was about to redraw the boundaries between punk, disco and pop permanently. Bayley had been documenting Harry since the earliest Blondie days at CBGB, where Bayley worked the door and Blondie were among the small circle of bands building the New York scene from inside its smallest rooms.\u003c\/p\u003e","brand":"ROBERTA BAYLEY","offers":[{"title":"Default Title","offer_id":48505468748025,"sku":"JP0426054","price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0426054_1.jpg?v=1781102940"},{"product_id":"mkt-curated-by-joopiter-roberta-bayley-debbie-harry-james-white-chance-chris-stein-1980","title":"Debbie Harry, James (White) Chance, Chris Stein, 1980","description":"\u003cp\u003eROBERTA BAYLEY (B. 1950) \u003cbr\u003eDebbie Harry, James (White) Chance, Chris Stein 1980 \u003cbr\u003esigned, titled, numbered 2\/25 and dated 'Deborah Harry, James Chance, Chris Stein 1980 Roberta Bayley 2\/25' (on the reverse) \u003cbr\u003ecibachrome print \u003cbr\u003e11 x 14 inches \u003cbr\u003eexecuted in 1980 \u003cbr\u003ethis piece is number 2 from an edition of 25.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eNumber 2 from an edition of 25, signed, titled, numbered and dated by Bayley on the reverse — a cibachrome print from 1980 capturing a moment that condensed the breadth of downtown New York's music scene into a single frame: Debbie Harry in a green blazer at the left, the no-wave saxophonist James Chance in red blazer, bow-tie and saxophone at the centre, and Chris Stein with guitar at the right, the three of them standing against a wall layered with overlapping posters, photographs and tear sheets in someone's lived-in apartment. By 1980 Blondie were one of the most-watched acts on the planet — Parallel Lines had carried \"Heart of Glass\" to No. 1 the year before, and Autoamerican was about to do the same with \"Call Me\" and \"The Tide Is High\" — while James Chance, leading both Chance and the Contortions and his James White and the Blacks variation, sat at the centre of the no-wave moment. The frame pulls together the punk-pop crossover end of the scene and its furthest avant-garde edge into a single image.\u003c\/p\u003e","brand":"ROBERTA BAYLEY","offers":[{"title":"Default Title","offer_id":48505468780793,"sku":"JP0426062","price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0426062_1_15f76eb8-eacb-4420-b863-ed801c57b9bb.jpg?v=1781102066"},{"product_id":"mkt-curated-by-joopiter-roberta-bayley-debbie-harry-in-las-vegas-1979","title":"Debbie Harry in Las Vegas, 1979","description":"\u003cp\u003eROBERTA BAYLEY (B. 1950) \u003cbr\u003eDebbie Harry in Las Vegas, 1979 \u003cbr\u003esigned, titled, numbered 5\/25 and dated 'Deborah Harry Las Vegas 1979 Roberta Bayley 5\/25' (on the reverse) \u003cbr\u003ecibachrome print \u003cbr\u003e20 x 16 inches \u003cbr\u003eexecuted in 1979 \u003cbr\u003ethis piece is number 5 from an edition of 25.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA cibachrome print of Debbie Harry photographed by Roberta Bayley in Las Vegas in 1979, the year Parallel Lines went stratospheric and \"Heart of Glass\" hit No. 1 in both the United States and the United Kingdom. The frame catches Harry in profile against the warm red wash of Vegas neon, lipstick in hand, mid-application — the punk-bred frontwoman about to dominate the next two years of mainstream radio refracted through the city whose neon-and-showgirl iconography had been pop culture's most reliable backdrop for decades.\u003c\/p\u003e","brand":"ROBERTA BAYLEY","offers":[{"title":"Default Title","offer_id":48505468813561,"sku":"JP0426063","price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0426063.jpg?v=1781102087"},{"product_id":"mkt-curated-by-joopiter-roberta-bayley-reclining-deborah-harry-las-vegas-aladdin-hotel-1979","title":"Reclining Deborah Harry, Las Vegas Aladdin Hotel, 1979","description":"\u003cp\u003eROBERTA BAYLEY (B. 1950) \u003cbr\u003eReclining Deborah Harry, Las Vegas Aladdin Hotel, 1979 \u003cbr\u003edouble signed, titled, numbered A.P. and dated 'Deborah Harry Las Vegas Aladdin Hotel 1978 Roberta Bayley. A.P. Roberta Bayley' (on the reverse) \u003cbr\u003ecibachrome print \u003cbr\u003esheet: 17 x 21 1\/2 inches image: 16 x 20 inches \u003cbr\u003eexecuted in 1979. \u003cbr\u003ethis work is an artist proof.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAn artist's proof, double-signed, titled and dated by Bayley on the reverse — a cibachrome print of Debbie Harry reclining on a hotel-room couch at the Aladdin in Las Vegas, 1979, in a white dress and white heels, captured during the Parallel Lines world tour that took Blondie from CBGB graduates to one of the most-watched pop acts on the planet. The Aladdin was, in 1979, one of the city's most storied resort properties (it would be demolished and replaced two decades later), and Bayley's framing of Harry in repose inside one of its rooms reads as the kind of behind-the-tour image her scene-insider access made possible — Harry photographed not by a press handler but by someone who had been documenting her since the earliest CBGB nights.\u003c\/p\u003e","brand":"ROBERTA BAYLEY","offers":[{"title":"Default Title","offer_id":48505468846329,"sku":"JP0426053","price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0426053_1_16220b46-c1bf-4773-8406-bff44c1b62a7.jpg?v=1781102962"},{"product_id":"mkt-curated-by-joopiter-roberta-bayley-subway-kiss-debbie-harry-chris-stein-1976","title":"Subway Kiss, Debbie Harry Chris Stein, 1976","description":"\u003cp\u003eROBERTA BAYLEY (B. 1950) \u003cbr\u003eSubway Kiss Debbie Harry and Chris Stein 1976 \u003cbr\u003ecibachrome print \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e16 × 20 inches (40.6 × 50.8 cm) \u003cbr\u003eexecuted in 1976. \u003cbr\u003eThis print is numbered 12 from an edition of 25.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA cibachrome print of Debbie Harry and Chris Stein kissing on a moving New York subway train, 1976 — among the most-quoted images of the early NYC punk scene's central creative-and-romantic partnership, made a year before Blondie's debut album would land and several before \"Heart of Glass\" would carry the band into global pop. The motion of the train is held in the streaked blur of the carriage windows behind them; the kiss steady at the centre of the frame. Bayley shot the photograph from inside the relationship, the band and the scene — she had been at CBGB longer than most of the bands she documented, and Harry and Stein were among her closest subjects across that entire arc.\u003c\/p\u003e","brand":"ROBERTA BAYLEY","offers":[{"title":"Default Title","offer_id":48505468879097,"sku":"JP0426059","price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0426059_1.jpg?v=1781102141"},{"product_id":"mkt-curated-by-joopiter-the-stranglers-the-stranglers-1978-autographed-black-and-white-album","title":"The Stranglers 1978 Autographed Black And White Album","description":"\u003cp\u003eA UK pressing of The Stranglers' third studio album Black and White, autographed across the front cover by the band's classic lineup — Hugh Cornwell, Jean-Jacques Burnel, Dave Greenfield, and Jet Black, each signing in blue ballpoint pen. The record was released on United Artists in May 1978 and reached No. 2 on the UK Albums Chart, consolidating the band's space within the late-Seventies UK scene as a group that sat at angles to punk's three-chord orthodoxy: Greenfield's keyboard-heavy arrangements and Burnel's lead-melodic bass pulling the music toward a darker, more compositional register, with the writing reaching for the lyrically complex. A complete four-signature artifact from the band's classic-lineup era.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e12 3\/8 × 12 3\/8 inches (31.4 × 31.4 cm)\u003c\/p\u003e","brand":"THE STRANGLERS","offers":[{"title":"Default Title","offer_id":48505468911865,"sku":"JP0526185","price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526185.jpg?v=1781102224"},{"product_id":"mkt-curated-by-joopiter-the-stranglers-the-stranglers-1979-autographed-the-raven-album-uk","title":"The Stranglers 1979 Autographed The Raven Album","description":"\u003cp\u003eA UK pressing of The Stranglers' fourth studio album The Raven, autographed across the back cover by the band's classic lineup. Jean-Jacques Burnel, Dave Greenfield, and Jet Black have signed in black ballpoint pen; Hugh Cornwell has signed in blue, adding an in-character speech bubble — the pirates' call \"ARRGH!\" — emanating from the mouth of the Viking longship the band is standing on in the cover photograph. The Raven, released on United Artists in October 1979, sits at the moment The Stranglers were broadening their sonic palette beyond the punk-adjacent debut years, pulling toward more progressive arrangements and Northern European mythological imagery that defined the record's visual identity. A complete four-signature copy with Cornwell's speech-bubble inscription operating as a small piece of the band's wit captured in ink.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e12 3\/8 × 12 3\/8 inches (31.4 × 31.4 cm)\u003c\/p\u003e","brand":"THE STRANGLERS","offers":[{"title":"Default Title","offer_id":48505468944633,"sku":"JP0526186","price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526186_1_3b02d983-1ddb-4f84-9a3d-432ad78fd998.jpg?v=1781102373"},{"product_id":"mkt-curated-by-joopiter-the-ramones-the-ramones-leeds-university-1980-concert-poster-uk","title":"The Ramones Leeds University 1980 Concert Poster (UK)","description":"\u003cp\u003eA UK concert poster for The Ramones' performance at Leeds University on January 26th, 1980 — a stop on the band's End of the Century UK tour that brought the New York foursome through a string of British university venues. The poster carries the standard format of the period: a black-and-white photographic image of the group across the upper portion, with ticket and show information set across the lower half. Original UK university-venue Ramones posters from this specific tour have become one of the more carefully collected categories, documenting the period in which the Ramones were closing the gap between New York's CBGB scene and the British audiences.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e20 1\/16 × 29 15\/16 inches (51 × 76 cm)\u003c\/p\u003e","brand":"THE RAMONES","offers":[{"title":"Default Title","offer_id":48505468977401,"sku":"JP0526187","price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526187_1_407bc052-5e4a-463d-b9ab-51225b8d947c.jpg?v=1781102976"},{"product_id":"mkt-curated-by-joopiter-the-clash-clash-remote-control-1977-cbs-records-promo-poster-uk","title":"Clash Remote Control 1977 CBS Records Promo Poster (UK)","description":"\u003cp\u003eAn original 1977 CBS Records promotional poster for The Clash's \"Remote Control\" released with a live mono version of \"London's Burning,\" the single CBS released on May 13th, 1977 without the band's consent, taken directly from their debut album. This unapproved corporate decision triggered one of punk's most public artist-label disputes, where The Clash furiously rebelled against CBS Records and publicly disowning the single. They had not authorized the single's release, had not approved its packaging, and had played no part in its promotional rollout. Within months, the band had channeled the dispute into \"Complete Control\" — the title of their third single released September 23rd, 1977 and a direct response to the CBS situation.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e14 × 19 7\/8 inches (35.5 × 50.5 cm)\u003c\/p\u003e","brand":"THE CLASH","offers":[{"title":"Default Title","offer_id":48505469010169,"sku":"JP0526188","price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526188_1_aae7b745-9bff-4033-8cc6-eb4513c26163.jpg?v=1781102768"},{"product_id":"mkt-curated-by-joopiter-the-clash-the-clash-1977-white-riot-tour-concert-poster-blank-uk","title":"The Clash 1977 White Riot Tour Concert Poster Blank (UK)","description":"\u003cp\u003eAn extremely rare original 1977 concert poster produced for The Clash's White Riot tour, the band's first headlining UK tour and one of the most consequential outings in the history of British punk. The tour ran from May 1st to June 8th, 1977 with supporting acts that included the Buzzcocks, Subway Sect, The Slits and The Jam across different legs. This particular example is the blank variant: the body of the poster fully printed and the venue\/date area deliberately left empty, so that local promoters could overprint the relevant tour-stop details for each performance. Blank tour posters of this kind rarely survive as the ones that weren't filled in tended to be discarded so surviving examples document the architecture of how a punk tour was actually marketed at the street level in 1977.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e28 15\/16 × 38 13\/16 inches (73.5 × 98.5 cm)\u003c\/p\u003e","brand":"THE CLASH","offers":[{"title":"Default Title","offer_id":48505469042937,"sku":"JP0526189","price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0526189_1_1e738427-a6eb-407c-a97a-55527b8f90c8.jpg?v=1781102857"},{"product_id":"mkt-99bulletholes-vintage-blackmeans-spike-leather-bracelet","title":"Spike Leather Bracelet","description":"\u003cp\u003eA handcrafted leather spike bracelet from BLACKMEANS, the Tokyo-based atelier founded by Yujiro Komatsu in 2008 that has built one of the most-respected reputations in contemporary Japanese leatherwork. Operating from a small studio in Asakusa, BLACKMEANS produces every piece by hand using traditional leather-working techniques rooted in the brand's deep ties to motorcycle and punk subcultures. The bracelet is built on a substantial black leather cuff with two rows of conical metal spikes anchored across the face and the buckle closure carries the oxidized finish that defines the brand's metalwork. BLACKMEANS's clientele runs from Tokyo's underground punk and rockabilly scenes through to international collectors of considered handmade leather goods.\u003c\/p\u003e","brand":"BLACKMEANS","offers":[{"title":"Default Title","offer_id":48513884455161,"sku":"JP0426111","price":340.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0426111_3.jpg?v=1781183610"},{"product_id":"mkt-99bulletholes-vintage-vintage-kurt-cobain-1967-1994-t-shirt-1","title":"Kurt Cobain (1967-1994) T-shirt","description":"\u003cp\u003eA 1994 memorial T-shirt for Kurt Cobain (1967–1994), produced in the wave of merchandise that followed the Nirvana frontman's death on April 5th of that year. The front carries a color photographic portrait of Cobain framed within a thin border above the inscription \"KURT D. COBAIN (1967–1994)\"; the reverse reproduces one of Cobain's own paintings — a dreamlike, expressive composition featuring a winged figure, a small standing nude, a black cat and the credit \"PAINTING BY KURT D. COBAIN\" printed at the lower edge. Cobain's painting practice ran alongside his musical work throughout his career, and the inclusion of his original visual art on memorial merchandise gives this piece a depth beyond standard tour or memorial graphics.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSleeve length: 7 5\/8 inches (19.4 cm) Chest Width: 21 1\/4 inches (54.0 cm) Waist Width: 21 1\/4 inches (54.0 cm) Body Length: 28 3\/4 inches (73.0 cm) Shoulder Length: 19 1\/2 inches (49.6 cm)\u003c\/p\u003e","brand":"VINTAGE","offers":[{"title":"Default Title","offer_id":48513884619001,"sku":"JP0426124","price":875.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0426124_1.jpg?v=1781183653"},{"product_id":"mkt-99bulletholes-vintage-vintage-kurt-cobain-memorial-t-shirt","title":"Kurt Cobain Memorial T-shirt","description":"\u003cp\u003eA 1990s memorial T-shirt honoring Kurt Cobain (1967–1994), printed in the years following the Nirvana frontman's death and the cultural realignment that followed. The front carries a stark black-and-white photographic portrait of Cobain, framed within a thin border above the inscription \"KURT D. COBAIN (1967–1994).\" Cobain's death on April 5, 1994 marked the abrupt end of one of the most influential careers in late-twentieth-century music — three studio albums with Nirvana, the band that crystallized grunge into a generation-defining genre, and a body of songwriting that has continued to shape alternative rock for decades after.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSleeve length: 7 3\/4 inches (19.6 cm) Chest Width: 19 11\/16 inches (50.0 cm) Waist Width: 19 11\/16 inches (50.0 cm) Body Length: 26 3\/4 inches (68.0 cm) Shoulder Length: 19 1\/2 inches (49.5 cm)\u003c\/p\u003e","brand":"VINTAGE","offers":[{"title":"XL","offer_id":48513884750073,"sku":"JP0426126","price":375.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0426126_1.jpg?v=1781183853"},{"product_id":"mkt-99bulletholes-vintage-vintage-kurt-cobain-1967-1994-t-shirt-2","title":"Kurt Cobain (1967-1994) T-shirt","description":"\u003cp\u003eKurt Cobain (1967–1994) was the songwriter and frontman of Nirvana — the band whose three studio albums between 1989 and 1993 crystallized grunge into a generation-defining genre and pulled American alternative rock from the margins to the centre of mainstream music. His death on April 5, 1994 closed one of the most influential careers in late-twentieth-century music and triggered the wave of commemorative merchandise this shirt belongs to. The front carries a color photographic portrait of Cobain set within a thin border, his name and lifespan printed beneath in serif type: KURT D. COBAIN (1967–1994). The reverse reproduces one of Cobain's own paintings, credited at the lower edge — a reminder that he kept a visual art practice alongside his songwriting throughout his career, working in drawings, paintings and collage that mined the same psychological terrain as his lyrics.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSleeve length: 8 1\/8 inches (20.7 cm) Chest Width: 22 1\/4 inches (56.6 cm) Waist Width: 22 1\/4 inches (56.6 cm) Body Length: 30 1\/2 inches (77.5 cm) Shoulder Length: 21 3\/4 inches (55.3 cm)\u003c\/p\u003e","brand":"VINTAGE","offers":[{"title":"US Men's XL","offer_id":48513884881145,"sku":"JP0426127","price":1000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0426127_1.jpg?v=1781184129"},{"product_id":"mkt-99bulletholes-vintage-vintage-clockwork-orange-triangle-t-shirt","title":"Clockwork Orange Triangle T-shirt","description":"\u003cp\u003eA vintage T-shirt drawn from the visual world of Stanley Kubrick's 1971 film A Clockwork Orange — one of the most-quoted cinematic touchstones of the punk and post-punk era. The front carries the film's title in its instantly recognizable orange-and-black display type, arched above a triangular composition framing Malcolm McDowell as Alex DeLarge dressed in iconic bowler hat and exaggerated false-eyelash makeup giving his best \"Kubrick Stare\". Kubrick's adaptation of Anthony Burgess's novel emerged as a foundational visual reference for British and American punk from its 1971 release onward — its themes of youth violence, ultra-violence, state behavioral conditioning, and the failure of forced rehabilitation mapping directly onto the punk movement's own confrontations with authority.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSleeve length: 8 11\/16 inches (22.0 cm) Chest Width: 23 1\/4 inches (59.0 cm) Waist Width: 23 1\/4 inches (59.0 cm) Body Length: 31 1\/8 inches (79.0 cm) Shoulder Length: 21 7\/16 inches (54.5 cm)\u003c\/p\u003e","brand":"VINTAGE","offers":[{"title":"XL","offer_id":48513885798649,"sku":"JP0426128","price":625.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0426128_1.jpg?v=1781184161"},{"product_id":"mkt-99bulletholes-vintage-vintage-clockwork-orange-movie-cover-t-shirt","title":"Clockwork Orange Movie Cover T-shirt","description":"\u003cp\u003eA vintage T-shirt featuring the 1971 promotional artwork for Stanley Kubrick's A Clockwork Orange — the dagger-pointing portrait of Malcolm McDowell as Alex DeLarge framed within an inverted black triangle, the film's title set in the unmistakable orange-on-orange display type above. Kubrick's adaptation of Anthony Burgess's novel emerged as a foundational visual reference for punk and post-punk culture from its 1971 release onward, with Alex's bowler hat, false eyelashes, and the film's broader themes of youth violence and the limits of social rehabilitation absorbed into the visual vocabulary of British and American punk through the late 1970s and beyond.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSleeve length: 7 3\/4 inches (19.7 cm) Chest Width: 21 5\/8 inches (55.0 cm) Waist Width: 21 5\/8 inches (55.0 cm) Body Length: 26 3\/4 inches (68.0 cm) Shoulder Length: 20 1\/16 inches (51.0 cm)\u003c\/p\u003e","brand":"VINTAGE","offers":[{"title":"XL","offer_id":48513885995257,"sku":"JP0426130","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0426130_1.jpg?v=1781184194"},{"product_id":"mkt-99bulletholes-vintage-vintage-the-who-maximum-r-b-marquee-t-shirt","title":"The Who Maximum R\u0026B Marquee T-shirt","description":"\u003cp\u003eA 1980s reissue of one of the most iconic images in British rock history — the original \"Maximum R\u0026amp;B\" poster designed by Brian Pike for The Who's Tuesday-night residency at the Marquee Club, 90 Wardour Street, London, in the mid-1960s. Featuring Pete Townshend's distinctive arm-extended power-chord pose set within block typography that defines the Marquee's poster output of the period, the design has become the single most-reproduced image associated with The Who's formative years. The Maximum R\u0026amp;B residency, running from late 1964 into 1965, established The Who as the most aggressive live act in British music, built around Townshend's windmill guitar work, Roger Daltrey's confrontational vocals, John Entwistle's melodic bass, and Keith Moon's chaotic drumming.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSleeve length: 7 1\/16 inches (18.0 cm) Chest Width: 17 3\/4 inches (45.0 cm) Waist Width: 17 3\/4 inches (45.0 cm) Body Length: 25 9\/16 inches (65.0 cm) Shoulder Length: 16 7\/8 inches (42.8 cm)\u003c\/p\u003e","brand":"VINTAGE","offers":[{"title":"M","offer_id":48513886159097,"sku":"JP0426152","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0426152_1.jpg?v=1781184219"},{"product_id":"mkt-99bulletholes-vintage-vintage-iggy-pop-raw-power","title":"Iggy Pop Raw Power","description":"\u003cp\u003eA 1988 Iggy Pop tour T-shirt — the front carrying a halftone photographic image of Pop mid-performance beneath his name in red-and-blue display type; the reverse printed with \"RAW POWER\" in bold red sans-serif across the back. The slogan refers directly to the Stooges' final studio album of 1973, produced and mixed by David Bowie and released under Iggy and the Stooges, now widely considered one of the foundational documents of proto-punk.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBy 1988, Pop had been operating as a solo artist for over a decade, having moved through The Idiot (1977), Lust for Life (1977), and a string of albums into the 1980s; this tour cycle coincided with the release of Instinct, his Bowie-produced return to a harder rock sound. The \"Raw Power\" reference grounds the tour merchandise in Pop's most direct connection to the punk movement his earlier work had helped catalyze — Steve Jones cited \"Search and Destroy\" as a direct influence on the Sex Pistols, and Kurt Cobain called Raw Power his favorite record of all time.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSleeve length: 7 7\/8 inches (20.0 cm) Chest Width: 22 7\/16 inches (57.0 cm) Waist Width: 22 7\/16 inches (57.0 cm) Body Length: 29 9\/16 inches (75.0 cm) Shoulder Length: 20 3\/4 inches (52.7 cm)\u003c\/p\u003e","brand":"VINTAGE","offers":[{"title":"XL","offer_id":48513886290169,"sku":"JP0426153","price":375.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0426153_1.jpg?v=1781184253"},{"product_id":"mkt-99bulletholes-vintage-vintage-sex-pistols-god-save-the-queen-t-shirt","title":"Sex Pistols God Save the Queen T-shirt","description":"\u003cp\u003eA vintage T-shirt reproducing Jamie Reid's iconic artwork for the Sex Pistols' \"God Save the Queen.\" Virgin Records released the single on May 27, 1977, timed to drop during Queen Elizabeth II's Silver Jubilee week — a deliberate intervention into the nation's official celebration of itself. Reid's design defaces Cecil Beaton's 1956 official portrait of the Queen with ransom-note lettering across her eyes and mouth, the title and band name set in the cut-up typography Reid had developed at Suburban Press. It remains the single most-reproduced graphic statement of the punk era. The single itself was banned by the BBC and refused stock by most major British retailers. It reached No. 2 on the Official UK Singles Chart during Jubilee week — widely believed to have been suppressed from a No. 1 position the establishment was unwilling to publish. The image has been continuously cited, reproduced, parodied and reissued across every decade since.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSleeve length: 8 1\/2 inches (21.6 cm) Chest Width: 21 1\/16 inches (53.5 cm) Waist Width: 21 1\/16 inches (53.5 cm) Body Length: 29 3\/4 inches (75.5 cm) Shoulder Length: 20 3\/4 inches (52.7 cm)\u003c\/p\u003e","brand":"VINTAGE","offers":[{"title":"L","offer_id":48513886454009,"sku":"JP0426158","price":135.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0613\/2783\/5385\/files\/JP0426158_1.jpg?v=1781184276"}],"url":"https:\/\/shop.joopiter.com\/en-kr\/collections\/the-punk-effect.oembed","provider":"Joopiter","version":"1.0","type":"link"}